The Locator -- [(author = "Ackland Art Museum")]

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02964aam a2200373 i 4500
001 797FC72C1DA411EBAAA0CA112BECA4DB
003 SILO
005 20201103011456
008 200314t20202020flua     bc   000 0 eng d
020    $a 1734323507
020    $a 9781734323504
020    $a 1734323515
020    $a 9781734323511
035    $a (OCoLC)1143646832
040    $a YDX $b eng $e rda $c YDX $d BDX $d OCLCQ $d ERASA $d TJC $d OSU $d OCLCF $d SILO
043    $a fb-----
050  4 $a NK6488.75 P43 2020
245 00 $a Peace, power & prestige : $b metal arts in Africa / $c edited by Susan Cooksey.
246 3  $a Peace, power and prestige
264  1 $a Gainesville, Florida : $b Samuel P. Harn Museum of Art, University of Florida, $c [2020]
300    $a xv, 272 pages : $b color illustrations ; $c 32 cm
500    $a Catalog of an exhibition at the Samuel P. Harn Museum of Art, Gainesville, FL, March 2020-September 2020 ; Ackland Art Museum, University of North Carolia at Chapel Hill, January 2022-April 2022 ; Figge Art Museum, Davenport, Iowa, September 2022-January 2023.
504    $a Includes bibliographical references.
520    $a Metal arts have been integral to the social, religious, economic, and political lives of African peoples for millennia. This publication and the exhibition it accompanies consider some of the many ways metal arts in sub-Saharan Africa have sustained and enhanced material and spiritual well-being. Further, they examine the wide diversity and nuanced intersections of roles metal objects and metal artists have played in building communities through supporting leadership, enhancing religious practices, and cultivating social discourse. As a substance that is both malleable and strong, metal offers artists a means for creating dazzling forms with the power to last for centuries. Metal's permanence conveys the steadfastness of power and authority and concomitant trust and respect between individuals and polities. Some seventeen years ago, the Samuel P. Harn Museum of Art's curator of African art, Dr. Susan Cooksey, identified works in metal as underrepresented in the collection and a priority for acquisitions going forward. With the current exhibition, 'Peace, Power, and Prestige: Metal Arts in Africa', she demonstrates how successfully this priority has been addressed at the Harn. At the same time, she includes outstanding metal objects from a private collection that represent the kinds of works the museum hopes to acquire in the future.
650  0 $a Art metal-work $z Africa, Sub-Saharan $v Exhibitions.
700 1  $a Cooksey, Susan, $e editor.
710 2  $a Samuel P. Harn Museum of Art, $e host institution.
710 2  $a Ackland Art Museum, $e host institution.
710 2  $a Figge Art Museum, $e host institution.
941    $a 2
952    $l OVUX522 $d 20220317014305.0
952    $l USUX851 $d 20210903015727.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=797FC72C1DA411EBAAA0CA112BECA4DB
994    $a C0 $b IWA

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