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03524aam a2200493 i 4500 001 08222F9E81F911E58D57CB8FDAD10320 003 SILO 005 20151103010200 008 150106s2015 maua bc 000 0 eng 010 $a 2015000369 020 $a 030021166X (Yale University Press : alk. paper) 020 $a 9780300211665 (Yale University Press : alk. paper) 020 $a 1935998218 (Clark Art Institute : alk. paper) 020 $a 9781935998211 (Clark Art Institute : alk. paper) 035 $a (OCoLC)898114279 040 $a DLC $b eng $e rda $c DLC $d YDX $d YDXCP $d BTCTA $d BDX $d ERASA $d CHVBK $d NLGGC $d OCLCO $d NUI $d SILO 042 $a pcc 043 $a e------ 050 00 $a NE492.M64 $b M33 2015 082 00 $a 769.9/040747441 $2 23 084 $a 21.32 $2 bcl 245 00 $a Machine age modernism : $b prints from the Daniel Cowin collection / $c Jay A. Clarke and Jonathan Black. 264 1 $a Williamstown, Massachusetts : $b Clark Art Institute, $c [2015] 300 $a 111 pages : $b illustrations (mostly color) ; $c 26 cm 500 $a "Published on the occasion of the exhibition Machine Age Modernism: Prints from the Daniel Cowin Collection, Clark Art Institute, Williamstown, Massachusetts, February 28-May 17, 2015."--Verso of title page. 505 0 $a Two Modernist British Printmakers and the Great War : Edward Wadsworth and C.R.W. Nevinson / Jonathan Black -- Linocuts between the Wars : The Politics of Style, Process, and Gender, 1918-39 / Jay A. Clarke -- Methods and Makers : Printing Processes and Artist Biographies / Megan Kosinski -- Exhibition Checklist. 504 $a Includes bibliographical references. 520 8 $a This group of 40 prints from the exceptional Daniel Cowin Collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II. An essay by Jonathan Black addresses the impact of World War I on two notable British printmakers, Edward Wadsworth and C. R. W. Nevinson. A text by Jay A. Clarke delves into the linocut movement of the 1920s and '30s, investigating how the role of style and politics impacted this movement as well as the previously unexplored position of women printmakers and the interplay between gender, craft, and decoration. Influences of Futurism, Cubism, and the short-lived but vibrant abstraction of the Vorticist movement saturate the powerful color images, which are accompanied by artist biographies. This publication illuminates the struggle of these radical printmakers as they navigated a conservative market and the harsh economic and political realities of their time.0Exhibition: The Clark Art Institute, Williamstown, USA (28.2.-17.5.2015). 650 0 $a Prints, European $y 20th century $v Exhibitions. 650 0 $a Modernism (Art) $z Europe $v Exhibitions. 600 10 $a Cowin, Daniel $x Art collections $v Exhibitions. 650 0 $a Prints $x Private collections $z United States $v Exhibitions. 600 17 $a Cowin, Daniel, $d -1992. $0 (DE-588)120753979 $2 gnd 650 7 $a Druckgraphik. $0 (DE-588)4113357-2 $2 gnd 650 7 $a Sammlung. $0 (DE-588)4128844-0 $2 gnd 651 7 $a GroÃbritannien. $0 (DE-588)4022153-2 $2 gnd 600 14 $a Cowin, Daniel. $0 (NL-LeOCL)394571169 700 1 $a Clarke, Jay A. $q (Jay Anne), $e author. 700 1 $a Black, Jonathan, $d 1969- $e author. 700 1 $a Kosinski, Megan, $e author. 710 2 $a Sterling and Francine Clark Art Institute. 941 $a 1 952 $l OVUX522 $d 20231018025400.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=08222F9E81F911E58D57CB8FDAD10320Initiate Another SILO Locator Search