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05951aam a2200481 i 4500 001 912F6A4C580511E8A8F83C5097128E48 003 SILO 005 20180515010114 008 171108t20172017fr ch b 001 0 fre c 020 $a 2072746167 020 $a 9782072746161 035 $a (OCoLC)1010979515 040 $a AUXAM $b eng $e rda $c AUXAM $d HLS $d OCLCO $d AMH $d UBC $d PUL $d OCLCF $d EMU $d UBY $d WAU $d CUS $d SILO 042 $a pcc 043 $a e-fr--- 050 4 $a PQ2605.A3734 $b Z48 2017 082 14 $a 846 130 0 $a Correspondance, 1944-1959 (Camus and CasareÌs) 245 00 $a Correspondance, 1944-1959 / $c Albert Camus, Maria CasareÌs ; text eÌtabli par BeÌatrice Vaillant ; avant-propos de Catherine Camus. 264 1 $a [Paris] : $b Gallimard, $c [2017] 300 $a iv, 1300 pages : $b facsimiles, portrait ; $c 21 cm 504 $a Includes bibliographical references and indexes. 520 $a "Le 19 mars 1944, Albert Camus et Maria CasareÌs se croisent chez Michel Leiris. L'ancienne eÌleÌve du Conservatoire, originaire de La Corogne et fille d'un reÌpublicain espagnol en exil, n'a que vingt et un ans. Elle a deÌbuteÌ sa carrieÌre en 1942 au TheÌaÌtre des Mathurins, au moment ouÌ Albert Camus publiait L'EÌtranger chez Gallimard. L'eÌcrivain vit alors seul aÌ Paris, la guerre l'ayant tenu eÌloigneÌ de son eÌpouse Francine, enseignante aÌ Oran. Sensible au talent de l'actrice, Albert Camus lui confie le roÌle de Martha pour la creÌation du Malentendu en juin 1944. Et durant la nuit du DeÌbarquement, Albert Camus et Maria CasareÌs deviennent amants. Ce n'est encore que le preÌlude d'une grande histoire amoureuse, qui ne prendra son vrai deÌpart qu'en 1948. Jusqu'aÌ la mort accidentelle de l'eÌcrivain en janvier 1960, Albert et Maria n'ont jamais cesseÌ de s'eÌcrire, notamment lors des longues semaines de seÌparation dues aÌ leur engagement artistique et intellectuel, aux seÌjours au grand air ou aux obligations familiales. Sur fond de vie publique et d'activiteÌ creÌatrice (les livres et les confeÌrences, pour l'eÌcrivain ; la ComeÌdie-Française, les tourneÌes et le TNP pour l'actrice), leur correspondance croiseÌe reÌveÌle quelle fut l'intensiteÌ de leur relation intime, s'eÌprouvant dans le manque et l'absence autant que dans le consentement mutuel, la bruÌlure du deÌsir, la jouissance des jours partageÌs, les travaux en commun et la queÌte du veÌritable amour, de sa parfaite formulation et de son accomplissement. Nous savions que l'oeuvre d'Albert Camus eÌtait traverseÌe par la penseÌe et l'expeÌrience de l'amour. La publication de cette immense correspondance reÌveÌle une pierre angulaire aÌ cette constante preÌoccupation. "Quand on a aimeÌ quelqu'un, on l'aime toujours", confiait Maria CasareÌs bien apreÌs la mort d'Albert Camus ; "lorsqu'une fois, on n'a plus eÌteÌ seule, on ne l'est plus jamais"."--Page 4 of cover. 520 $a On March 19, 1944, Albert Camus and Maria Casares cross at Michel Leiris. The former student of the Conservatory, a native of A CorunÌa and daughter of a Spanish Republican in exile, is only twenty-one years old. She began her career in 1942 at the TheÌaÌtre des Mathurins, just as Albert Camus was publishing L'EÌtranger at Gallimard. The writer then lives alone in Paris, the war having kept him away from his wife Francine, a teacher in Oran. Sensitive to the talent of the actress, Albert Camus entrusts him the role of Martha for the creation of the Malentendu in June 1944. And during the night of the D-Day, Albert Camus and Maria Casares become lovers. This is only the prelude to a great love affair, which will not take its true departure until 1948. Until the accidental death of the writer in January 1960, Albert and Maria never ceased to be write, especially during the long weeks of separation due to their artistic and intellectual commitment, the stays in the open air or the obligations family. In the context of public life and creative activity (books and conferences, for the writer, the ComeÌdie-Française, the tours and the TNP for the actress), their cross-correspondence reveals how intense their relationship was intimate, experiencing in lack and absence as much as in mutual consent, the burning of desire, the enjoyment of shared days, the works in common and the quest for true love, its perfect formulation and its fulfillment. We knew that the work of Albert Camus was traversed by the thought and experience of love. The publication of this immense correspondence reveals a cornerstone to this constant concern. "When we loved someone, we still love him," said Maria Casares well after the death of Albert Camus; "When once, we have not been alone, we never are alone".--Translation of page 4 of cover by Gallimard. 600 10 $a Camus, Albert, $d 1913-1960 $v Correspondence. 600 10 $a CasareÌs, Maria $v Correspondence. 600 17 $a Camus, Albert, $d 1913-1960. $2 fast $0 (OCoLC)fst00036855 600 17 $a CasareÌs, Maria. $2 fast $0 (OCoLC)fst00133495 650 0 $a Authors, French $v Correspondence. 650 0 $a Actors $z France $v Correspondence. 650 0 $a Motion picture actors and actresses $z France $v Correspondence. 650 7 $a Actors. $2 fast $0 (OCoLC)fst00796296 650 7 $a Authors, French. $2 fast $0 (OCoLC)fst00822016 650 7 $a Motion picture actors and actresses. $2 fast $0 (OCoLC)fst01027096 651 7 $a France. $2 fast $0 (OCoLC)fst01204289 655 7 $a Records and correspondence. $2 fast $0 (OCoLC)fst01423917 700 12 $i Container of (work): $a Camus, Albert, $d 1913-1960. $t Correspondence. $k Selections (CasareÌs) 700 12 $i Container of (work): $a CasareÌs, Maria. $t Correspondence. $k Selections (Camus) 700 1 $a Vaillant, BeÌatrice, $e editor. 700 1 $a Camus, Catherine, $e writer of preface. 941 $a 1 952 $l OVUX522 $d 20181116062554.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=912F6A4C580511E8A8F83C5097128E48Initiate Another SILO Locator Search