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04279aam a2200601 a 4500 001 4D53E1DC28FB11E49E7A85DBDAD10320 003 SILO 005 20140821010440 008 090924s2010 enka b 000 0 eng 010 $a 2009943195 020 $a 1854379232 020 $a 9781854379238 (hbk.) : 035 $a (OCoLC)455828860 040 $a UKM $c UKM $d YDXCP $d CDX $d ERASA $d BWKUK $d BWK $d GEBAY $d UKTTE $d N15 $d DLC $d TJC $d LMR $d UBY $d DEBBG $d UKMGB $d COO $d BDX $d SILO 050 4 $a N7380.5 $b .A38 2010 082 04 $a 704.0396 $2 22 245 00 $a Afro modern : $b journeys through the Black Atlantic / $c edited by Tanya Barson & Peter Gorschl�uter ; with contributions by Petrine Archer ... [et al.]. 260 $a Liverpool [England] : $b Tate Liverpool ; $c 2010. 300 $a 223 p. : $b col. ill. ; $c 26 cm. 500 $a Published on the occasion of the exhibition at Tate Liverpool, 29 January until 25 April 2010. 504 $a Includes bibliographical references (p. 196-210). 520 $a 'Afro Modern: Journeys through the Black Atlantic' explores the impact of different black cultures from around the Atlantic on art from the early twentieth-century to today. The exhibition takes its inspiration from Paul Gilroy's influential book 'The Black Atlantic: Modernity and Double Consciousness' 1993. It features over 140 works by more than 60 artists. Gilroy used the term 'The Black Atlantic' to describe the transmission of black cultures around the Atlantic, and the instances of cultural hybridity, that occurred as a result of transatlantic slavery and its legacy. 'Afro Modern: Journeys through the Black Atlantic' reflects Gilroy's idea of the Atlantic Ocean as a 'continent in negative', offering a network connecting Africa, North and South America, the Caribbean and Europe. It traces both real and imagined routes taken across the Atlantic, and highlights artistic links and dialogues from the early twentieth-century to today. The exhibition is divided into seven chronological sections. Charting new forms of art arising from black culture and the work of black artists and intellectuals, it opens up an alternative, transatlantic reading of modernism and contemporary culture. 505 00 $t Post/Black/Atlantic : a conversation with Thelma Golden and Glenn Ligon / $r Huey Copeland. $t Negrophilia, diaspora, and moments of crisis / $r Petrine Archer -- $t Cosmopolitan contact zones / $r Kobena Mercer -- $t They've all got painting : Frank Bowling's modernity and the post-1960 Atlantic / $r Courtney J. Martin -- $t A conversation with �Edouard Glissant aboard the Queen Mary II / $r Manthia Diawara -- $t Bridging the Atlantic and other gaps : artistic Connecticut between Brazil and Africa--and beyond / $r Roberto Conduru -- $t Post/Black/Atlantic : a conversation with Thelma Golden and Glenn Ligon / $r Huey Copeland. 650 0 $a Art, Black $v Exhibitions. 650 0 $a African American art $v Exhibitions. 650 0 $a Race in art $v Exhibitions. 650 0 $a Ethnicity in art $v Exhibitions. 650 0 $a Modernism (Art) $v Exhibitions. 600 10 $a Bearden, Romare, $d 1911-1988. 600 10 $a Brancusi, Constantin, $d 1876-1957. 600 10 $a Colin, Paul, $d 1892-1985. 600 10 $a Cox, Ren�ee, $d 1960- 600 10 $a Evans, Walker, $d 1903-1975. 600 10 $a Ligon, Glenn, $d 1960- 600 10 $a Mendieta, Ana, $d 1948-1985. 600 10 $a Moore, Peter, $d 1932-1993. 600 10 $a Ofili, Chris, $d 1968- 600 10 $a Parks, Gordon, $d 1912-2006. 600 10 $a P�erez Bravo, Marta Mar�ia, $d 1959- 600 10 $a Rosario, Arthur Bispo do, $d 1909-1989. 600 10 $a Simpson, Lorna, $d 1960- 650 0 $a Ausstellung. 650 0 $a Liverpool (2010) 700 1 $a Barson, Tanya. 700 1 $a Gorschl�uter, Peter. 700 1 $a Archer Straw, Petrine. 710 2 $a Tate Gallery Liverpool. 776 08 $i Online version: $t Afro modern. $d Liverpool [England] : Tate Liverpool ; London : In association with Tate Publishing ; New York : Distributed in the USA by Harry N. Abrams, 2010 $w (OCoLC)744587696 941 $a 3 952 $l YEPF572 $d 20200204053959.0 952 $l TYPH572 $d 20200110035922.0 952 $l OVUX522 $d 20180110040452.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4D53E1DC28FB11E49E7A85DBDAD10320Initiate Another SILO Locator Search