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03420cam a2200373Ia 4500 001 A452E9AE2B1011DEAA7E7608A8D7520A 003 SILO 005 20181009010727 008 070118s2008 nyu o 001 0 eng 010 $a 2007002276 020 $a 0231511558 (electronic) 020 $a 9780231511551 (electronic) 020 $a 0231139365 (cloth : alk. paper) 020 $a 9780231139366 (cloth : alk. paper) 040 $a DLC $c DLC $d SILO $d BAKER $d YDXCP $d C#P $d OCLCQ $d WCH $d UOH $d IWA $d SILO 050 00 $a ML3785 $b .S34 2008 082 00 $a 780.9 $2 22 100 1 $a Said, Edward W. 245 1 $a Music at the limits / $c Edward W. Said. 260 $a New York : $b Columbia University Press, $c c2008. 300 $a xiii, 325 p. ; $c 24 cm. 500 $a Includes indexes. 505 0 $a pt. I. The eighties. The music itself : Glenn Gould's contrapuntal vision ; Remembrance of things played : presence and memory in the pianist's art ; Pomp and circumstance (on musical festivals) ; On Richard Strauss ; Die WalkuÌre, Aida, X ; Music and feminism ; Maestro for the masses (review of Understanding Toscanini) ; Middle age and performers ; The Vienna Philharmonic : the complete Beethoven symphonies and concertos ; The Barber of Seville, Don Giovanni ; Glenn Gould at the Metropolitan Museum ; Giulio Cesare ; Bluebeard's Castle, Erwartung ; Extreme occasions (on Celibidache) ; Peter Sellars's Mozart ; AndraÌs Schiff at Carnegie Hall -- pt. II. The nineties. Richard Strauss ; Wagner and the Met's Ring ; Opera productions (Der Rosenkavalier, House of the dead, Doctor Faust) ; Style and stylessness (Elektra, Semiramide, Katya Kabanova) ; Alfred Brendel : words for music (review of Alfred Brendel's Music sounded out: essays, lectures, interviews, afterthoughts) ; Die tote Stadt, Fidelio, The death of Klinghoffer ; Uncertainties of style (The ghosts of Versailles, Die Soldaten) ; Musical retrospection ; The bard festival ; The importance of being unfaithful to Wagner ; Music as gesture (on Solti) ; Les troyens ; Child's play (review of Maynard Solomon's Mozart: a life) ; 32 short films about Glenn Gould ; Bach's genius, Schumann's eccentricity, Chopin's ruthlessness, Rosen's gift (review of Charles Rosen's The romantic generation) ; Why listen to Boulez? ; Hindemith and Mozart ; Review of Michael Tanner's Wagner ; In the chair (review of Peter Ostwald's Glenn Gould and the tragedy of genius) ; On Fidelio ; Music and spectacle (La cenerentola and The rake's progress) ; Review of Gottfried Wagner's He who does not howl with the wolf : The Wagner legacy: an autobiography ; Bach for the masses -- pt. III. 2000 and beyond. Daniel Barenboim (bonding across cultural boundaries) ; Glenn Gould, the virtuoso as intellectual ; Cosmic ambition (review of Christoph Wolff's Johann Sebastian Bach: the learned musician) ; Barenboim and the Wagner taboo ; Untimely meditations (review of Maynard Solomon's Late Beethoven). 650 0 $a Musical criticism. 650 0 $a Opera $v Reviews. 650 0 $a Operas $x Performances $y 20th century. 650 0 $a Concerts $v Reviews. 650 0 $a Music $v Book reviews. 856 41 $3 Table of contents only $u http://www.loc.gov/catdir/toc/ecip079/2007002276.html 941 $a 2 952 $l USUX851 $d 20160824062226.0 952 $l BAPH771 $d 20151001021845.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A452E9AE2B1011DEAA7E7608A8D7520A 994 $a 02 $b IWAInitiate Another SILO Locator Search