The Locator -- [(author = "Museum of Contemporary Art Los Angeles Calif")]

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03327aam a2200421Ii 4500
001 634773F89FDF11EA86A3D44697128E48
003 SILO
005 20200527010026
008 190827s2020    nyua     bc   001 0 eng d
020    $a 9781588396853
020    $a 1588396851
035    $a (OCoLC)1113224142
040    $a YDX $b eng $e rda $c YDX $d BDX $d ERASA $d MZA $d OCLCF $d UKMGB $d SILO
050  4 $a ND588.R48 $b A4 2020
082 04 $a 700.411
100 1  $a Richter, Gerhard, $d 1932- $e artist.
245 10 $a Gerhard Richter : $b painting after all / $c Sheena Wagstaff, Benjamin H. D. Buchloh ; with essays by Briony Fer, Hal Foster, Peter Geimer, Brinda Kumar, Andre Rottmann
264  1 $a New York : $b Metropolitan Museum of Art, $c [2020]
300    $a 269 pages : $b illustrations ; $c 27 cm
500    $a Catalog of an exhibition at the Metropolitan Museum of Art, New York, March 4-July 5, 2020; and at the Museum of Contemporary Art, Los Angeles, from August 14, 2020-January 19, 2021
504    $a Includes bibliographical references (pages 262-263) and index
520 8  $a A lavishly illustrated monograph that spans the entire career of one of the most celebrated contemporary artists. Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter's rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art. Exhibition: Metropolitan Museum of Art, New York, USA (04.03. - 05.07.2020)
600 10 $a Richter, Gerhard, $d 1932- $v Exhibitions.
600 17 $a Richter, Gerhard, $d 1932- $2 fast $0 (OCoLC)fst00015410
655  7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028
700 1  $a Wagstaff, Sheena, $e author. $e author.
700 1  $a Buchloh, B. H. D., $e author. $e author.
700 1  $a Fer, Briony, $e author.
700 1  $a Foster, Hal, $e author.
700 1  $a Geimer, Peter, $e author.
700 1  $a Kumar, Brinda, $e author.
700 1  $a Rottmann, Andre, $e author.
710 2  $a Metropolitan Museum of Art (New York, N.Y.), $e host institution.
710 2  $a Museum of Contemporary Art (Los Angeles, Calif.), $e host institution.
941    $a 2
952    $l OVUX522 $d 20220317030519.0
952    $l USUX851 $d 20201103015815.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=634773F89FDF11EA86A3D44697128E48

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