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02854aam a22003497a 4500 001 3A2F3CB86A8B11E689525693DAD10320 003 SILO 005 20160825010506 008 100121s2009 enk bq 001 0 eng 010 $a 2009675487 020 $a 1408105926 (pbk.) 020 $a 9781408105924 (pbk.) 035 $a (OCoLC)458732594 040 $a UKM $c UKM $d DLC $d BTCTA $d YDXCP $d BWKUK $d NTE $d CDX $d HEBIS $d MNW $d DEBBG $d CCO $d IWA $d SILO 042 $a lccopycat 050 00 $a PR3093 G75 2009 100 1 $a Griggs, Yvonne. 245 10 $a Shakespeare's King Lear : $b the relationship between text and film / $c Yvonne Griggs. 260 $a London : $b Methuen Drama, $c 2009. 300 $a x, 214 p. ; $c 20 cm. 490 1 $a Screen adaptations 504 $a Includes bibliographical references (p. [197]-209) and index. 504 $a Includes filmography. 505 00 $g The $t Adaptation: the debate goes on. $g 'The $t wheel is come full circle': origins and new directions -- $t Recycled narratives -- $t 'This great stage of fools': King Lear in performance -- $t Dominant readings of King Lear: a tale of redemption or fall? -- $g The $t adaptation debate -- $g Part Two: $t Production contexts -- $t From play text to silver screen -- $t Screen Lears: an overview -- $g The $t changing face of King Lear -- $t New ways of reading screen Lears -- $g Part Three: $t Readings of key versions -- $t From the canon to Hollywood -- $t East meets West: King Lear and the canon. Peter Brook's King Lear (1971): ' a Hollywood showman's nightmare' -- $t On the road: reclaiming Kozinstev's Korol Lir (1970) -- $t Chaos on the Western frontier: Akira Kurosawa's Ran (1985) -- $t King Lear and genre cinema -- $t King Lear as western elegy: Ed Dmytryk's Broken Lance (1954) -- $t King Lear and the urban gangster movie: the 'tragic' gangster -- $t Displacing the patriarchal family: Joseph Mankiewicz's House of Strangers (1949) -- $t Mafia father figures: Francis Ford Coppola's The Godfather trilogy (1972, 1974, 1990) -- $t Gangster Lear as morality tale: Don Boyd's My Kingdom (2001) -- $t King Lear as melodrama: Jocelyn Moorhouse's A Thousand Acres (1997) -- $t King Lear goes art house: acts of reconstruction -- $t 'Meantime we shall express our darker purpose': Jean-Luc Godard's King Lear (1987) -- $t 'Radical art phalanx' versus 'a clever flag of PR convenience': Kristian Levring's The King is Alive (2000) -- $g Part 4: The $t afterlife ... -- $g The $t afterlife of King Lear: recent developments in the visual medium -- $t Adaptation: the debate goes on. 600 10 $a Shakespeare, William, $d 1564-1616 $v Film adaptations 600 10 $a Shakespeare, William, $d 1564-1616 $t King Lear 830 0 $a Screen adaptations 941 $a 2 952 $l OVUX522 $d 20180105063022.0 952 $l USUX851 $d 20160825051448.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3A2F3CB86A8B11E689525693DAD10320 994 $a C0 $b IWAInitiate Another SILO Locator Search