1. Introduction, Sarah Moore And Maria Mellins -- 2. The Deceased-Accused And The Victim As A Commodity: Jimmy Savile As A Case Study To Examine The Role Of Real-Crime Documentary In Reproducing Violence As Entertainment, Susanna Menis -- 3. Dont Let Netflix Tell You What To Think!: Debates On Getting To Know The Accused/Convicted In Making A Murderer And Other Injustice Narratives, George S, Larke-Walsh -- 4. From Forensic Narratives To Narratives Of Forensics: Telling Stories About The Murder Of Gay Gibson, Alexa Neale -- 5. In Consideration Of Serial Violence: The Perils Of Repetition And Routine In True Crime Documentaries, Sarah Moore -- 6. Stay Sexy And Dont Get Murdered: Depictions Of Female Victimhood In Post-Me Too True Crime, Megan Hoffman And Simon Hobbs -- 7. Stalking, The Media And Raising Public Awareness, Maria Mellins -- 8. Human Trafficking And Coercive Control: Representations In Media And Challenges In Legislation, Carole Murphy -- 9. That Photograph Serial Killer As Modern Celebrity, Ian Cummins, Marian Foley And Martin King -- 10. Real-Life Criminals And Crime Fictions: Adapting The Serial Killer As Gothic Monster In TV Drama, Brigid Cherry -- 11. Gender, True Crime And The Violent Subject, Louise Wattis -- 12. Feeding The Fascination: Crime-Related Tourism And The True Crime Museum, Hannah Thurston -- 13. Exploring The Presence Of The Digital Detective Within The True-Crime Genre And Its Online Spaces, Farhana Irshad -- 14. Live Streaming Of Murder: Regulatory Responses And Challenges, Gregor Urbas.
Summary:
This book explores the recent surge in true crime by critically exploring how murder and violence are represented in documentaries, films, podcasts, museums, novels and in the press, and the effects. From a range of contributors, it touches on a wide variety of topics overall and illustrates how examining true crime across the changing popular media landscape can contribute to important debates in contemporary culture and society. It encourages a critical eye towards understanding the harmful stereotypes, myths and misinformation that popular media can bring. Arranged around four sections, including: true crime trials, representations of victims, the consumption of serial killer narratives, and true crime spaces, each chapter explores different themes and topics across traditional and newer media. These topics include: emotion and appeals for justice in Making a Murderer, #MeToo and misogyny in crime narratives, true crime journalism being exploitative, the ethics of consuming dark tourism and the appetite for true crime, live streamed murder, and the ways in which true murder accounts might lend insight into other types of crime such as domestic violence and stalking. This book stimulates discussion on courses in crime, media and culture as well as in film and media studies, and it also speaks to those with a general interest in true crime.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.