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02072aam a2200337Ii 4500 001 53E70F668E9811EAB83BD64B97128E48 003 SILO 005 20200505011818 008 190325t20202020enkaf b 001 0 eng d 020 $a 1526139782 020 $a 9781526139788 035 $a (OCoLC)1090386794 040 $a YDX $b eng $e rda $c YDX $d ERASA $d CDX $d YDXIT $d BDX $d OCLCF $d SILO 043 $a a-cc--- 050 4 $a N7345.65 V5 D38 2020 100 1 $a Davidson, Jane Chin $e author. 245 10 $a Staging art and Chineseness : $b the politics of trans/nationalism and global expositions / $c Jane Chin Davidson. 264 1 $a Manchester : $b Manchester University Press, $c 2020. 300 $a xiii, 210 pages, 16 unnumbered pages of plates : $b illustrations (some color) ; $c 25 cm. 490 1 $a Rethinking art's histories 504 $a Includes bibliographical references (pages 196-203) and index. 520 8 $a This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation. 650 0 $a Video art $z China $x Exhibitions. 650 0 $a Art, Chinese $v Exhibitions. 650 0 $a Art $x Exhibition techniques. 650 0 $a Nationalism and art. 830 0 $a Rethinking art's histories 941 $a 1 952 $l USUX851 $d 20240403011633.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=53E70F668E9811EAB83BD64B97128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search