Includes bibliographical references (pages 221-238), filmography (pages 217-220) and index.
Contents:
Machine generated contents note: A Visit from Las poetas. Introduction -- The Poetry-Film Nexus through History -- Latin American Poetry-Film: Approaches -- Chapter Overviews -- 6. Experimental Cinema as Poetic Cinema: The "Grupo Goethe" and the Films of Hirsch and Caldini -- Introduction -- Experimental Cinema and the "Grupo Goethe" -- Narcisa Hirsch: From Happenings to the Universe -- Claudio Caldini: Film-Maker on the Edge -- Conclusion -- 2. Eliseo Subiela's Dark Sides of the Heart: Poetry and Performance in "Old Argentine Cinema" -- Introduction -- El lado oscuro del corazon -- El lado oscuro del corazon 2 -- Conclusion -- 3. Regarding the Lives of Poets: On Biopics and Poetic Documentaries -- Introduction -- Yo, la peor de todas -- Alejandra -- Rosa I-'atria -- Conclusion -- 4. Poetry-Value-Film in the Cinema of Raul Perrone -- Introduction -- A Dog on the Loose -- Perrone and Poetry -- Circuits of Value -- p3nd3/05 and Beyond -- RP-PPP -- The Dog Turns Cynic -- Conclusion -- 5. Eyes Already Open: Gustavo Fontan's El limonero real and La deuda -- Introduction -- Fontan's Poets -- El limonero real -- Critical Responses to Fontan -- Saer According to Fontan -- El limonero as Poetic Film -- La Deuda -- Conclusion -- 6. The Poet as Screenwriter: Landscape and Protagonism in Papu Curotto's Esteros -- Introduction -- Esteros and New Queer Cinema -- The Esteros as Protagonist -- Esteros and Poetry -- Conclusion -- Conclusion: Intermediality and the Screening of Difference -- A Visit from Las poetas.
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