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03940aam a22005178i 4500
001 056F6C885F0811ECA70E6FDD2BECA4DB
003 SILO
005 20211217010126
008 201027t20212021quca     b    001 0 eng  
020    $a 9780228006206
020    $a 0228006201
035    $a (OCoLC)1201660640
040    $a NLC $b eng $e rda $c YDX $d BDX $d NLC $d OCLCF $d OCLCO $d ERASA $d CDX $d UKMGB $d CNNGC $d SILO
042    $a lac
043    $a n-cn-on
050  4 $a N910.G84 $b N37 2021
055  0 $a N910.G84 $b N37 2021
082 04 $a 708.11/343 $2 23
084    $a cci1icc $2 lacc
100 1  $a Nasby, Judith, $d 1945- $e author.
245 14 $a The making of a museum / $c Judith Nasby.
264  1 $a Montreal ; $b McGill-Queen's University Press, $c 2021.
300    $a xii, 200 pages : $b illustrations (chiefly color) ; $c 25 cm.
490 1  $a Footprints series ; $v 27
504    $a Includes bibliographical references (pages 193-197) and index.
505 0  $a The Beginning (1916-1967) -- University of Guelph Art Gallery (1968-1980) -- Macdonald Stewart Art Centre (1980-2014) - Permanent Collection Specializations -- Sculpture Park -- Curatorial and Educational Programming -- Art Gallery of Guelph (2014-Present).
520    $a "Judith Nasby, founding director and curator of the Macdonald Stewart Art Centre, animates the story of the gallery from its humble beginnings in the hallways of a university campus in 1916 to its latest incarnation as the internationally recognized Art Gallery of Guelph. The book is beautifully illustrated with eighty images of artworks in the permanent collection, beginning with the gallery's first acquisition, Tom Thomson's 1917 masterpiece The Drive, the last large canvas he painted before his tragic death. As curator, Nasby oversaw the creation of one of the most comprehensive sculpture parks in Canada and the amassing of a permanent collection of some nine thousand artworks. In The Making of a Museum Nasby reveals how the museum developed its internationally recognized collection of contemporary Inuit drawings and wall hangings that toured four continents. She discusses the development of the collection's specializations in contemporary works by Canadian silversmiths; historical European etchings; Haudenosaunee beadwork; and others that arose from curatorial collaborations, such as molas by Kuna women artists from Panama and contemporary paintings and indigenous woodcuts from Chongqing, China. Nasby recounts her long career as founding director and curator, peppering the hundred-year history of cultural development on the University of Guelph campus and in the city with humorous anecdotes and personal insights to reveal how arts institutions can be created through dedication, serendipity, and perseverance."-- $c Provided by publisher.
530    $a Issued also in electronic format.
610 20 $a Art Gallery of Guelph $x History.
610 20 $a Macdonald Stewart Art Centre $x History.
610 20 $a University of Guelph $x History.
610 26 $a Art Gallery of Guelph $x Histoire.
610 26 $a Macdonald Stewart Art Centre $x Histoire.
610 26 $a University of Guelph $x Histoire.
610 27 $a Macdonald Stewart Art Centre. $2 fast $0 (OCoLC)fst00586695
610 27 $a University of Guelph. $2 fast $0 (OCoLC)fst00544830
650  0 $a Art museums $z Guelph $z Guelph $x History.
650  6 $a Art $x Hisoire. $z Guelph $z Guelph $x Hisoire.
650  7 $a Art museums. $2 fast $0 (OCoLC)fst00815631
651  7 $a Ontario $z Guelph. $2 fast $0 (OCoLC)fst01220884
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
776 08 $i Online version: $a Nasby, Judith, 1945- $t Making of a museum. $d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2021 $z 9780228007609 $z 9780228007609 $w (OCoLC)1241738647
830  0 $a Footprints series (Montreal, Quebec) ; $v 27.
941    $a 1
952    $l OVUX522 $d 20231117015313.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=056F6C885F0811ECA70E6FDD2BECA4DB

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