Revision of the author's thesis (doctoral)--Columbia University, 2009. Includes bibliographical references (pages 217-232) and index.
Contents:
Nietzsche and the theater -- Zukunftstheater! -- How to theatricalize with a hammer -- Nietzsche contra Nietzsche -- The theater and Nietzsche -- Ecce Strindberg -- The genealogy of Shaw -- Thus spake O'Neill -- Epilogue: Centaurs.
Summary:
Nietzsche's love affair with the theater was among the most profound and prolonged intellectual engagements of his life, yet his transformational role in the history of the modern stage has yet to be explored. In this path-breaking account, David Kornhaber vividly shows how Nietzsche reimagined the theaterical event as a site of philosophical invention that is at once ancestor, antagonist, and handmaiden to the discipline of philosophy itself. August Strindberg, George Bernard Shaw, and Eugene O'Neill -- seminal figures in the modern drama's evolution and avoewed Nietzscheans all - came away from their encounters with Nietzsche's writings with an impassioned belief in the philosophical potential of the live theatrical event, coupled with a reestimation of the dramatist's power to shape that event in collaboration with the actor. In these playwrights' reactions to and adaptations of Nietzsche's radical rethinking of the stage lay the beginnings of a new direction in modern theater and dramatic literature. -- from back cover.
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