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03192aam a2200493 i 4500 001 21BA0D58FE5E11E2B6A414D3DAD10320 003 SILO 005 20130806010419 008 121218s2013 nyua b 001 0 eng 010 $a 2012043868 020 $a 0823251284 (paper) 020 $a 9780823251285 (paper) 020 $a 0823251276 (hardback) 020 $a 9780823251278 (hardback) 035 $a (OCoLC)811599565 040 $a DLC $b eng $e rda $c DLC $d YDX $d BTCTA $d OCLCO $d YDXCP $d CDX $d BWX $d OCLCQ $d EYR $d SILO 042 $a pcc 043 $a e-uk-en $a e-uk-en 050 00 $a PR421.A425 $b D36 2013 082 00 $a 820.9/353 $2 23 084 $a LIT004120 $a LIT015000 $a LIT004120 $2 bisacsh 100 1 $a Daniel, Drew, $d 1971- 245 14 $a The melancholy assemblage : $b affect and epistemology in the English Renaissance / $c Drew Daniel. 250 $a First edition. 260 $a New York : $b Fordham University Press, $c 2013. 300 $a xiii, 309 pages : $b illustrations (some color) ; $c 24 cm 520 $a "This book considers melancholy as an "assemblage," as a network of dynamic, interpretive relationships between persons, bodies, texts, spaces, structures, and things. In doing so, it parts ways with past interpretations of melancholy. Tilting the English Renaissance against the present moment, Daniel argues that the basic disciplinary tension between medicine and philosophy persists within contemporary debates about emotional embodiment. To make this case, the book binds together the paintings of Nicholas Hilliard and Isaac Oliver, the drama of Shakespeare, the prose of Burton, and the poetry of Milton. Crossing borders and periods, Daniel combines recent theories which have--until now--been regarded as incongruous by their respective advocates. Asking fundamental questions about how the experience of emotion produces community, the book will be of interest to scholars of early modern literature, psychoanalysis, the affective turn, and continental philosophy"-- Provided by publisher. 504 $a Includes bibliographical references (pages 253-302) and index. 505 0 $a Introduction -- From DuÌrer's Angel to Harlow's Monkey -- Three Hundred Years Out of Fashion -- Let Me Have Judgment, and the Jew His Will -- That Within Which Passes Show -- Rhapsodies of Rags -- My Self, My Sepulcher -- Epilogue: Disassembling Melancholy. 650 0 $a English literature $y Early modern, 1500-1700 $x Theory, etc. $x Theory, etc. 650 0 $a Affect (Psychology) in literature. 650 0 $a Knowledge, Theory of, in literature. 650 0 $a Literature and science $z Great Britain $x History. 650 0 $a Art and literature $z Great Britain $x History. 650 0 $a Science in literature. 650 0 $a Science $x Philosophy. 650 0 $a Renaissance $z England. 650 7 $a LITERARY CRITICISM $x General. $2 bisacsh 650 7 $a LITERARY CRITICISM $x Shakespeare. $2 bisacsh 650 7 $a LITERARY CRITICISM $x English, Irish, Scottish, Welsh. $x English, Irish, Scottish, Welsh. $2 bisacsh 941 $a 2 952 $l OVUX522 $d 20171229055346.0 952 $l USUX851 $d 20160826073141.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=21BA0D58FE5E11E2B6A414D3DAD10320Initiate Another SILO Locator Search