Includes bibliographical references (pages 332-362) and indexes.
Contents:
Conclusion. 1. The mirage of art and wealth: the lottery's economic, social and cultural impacts -- 2. The machinery of success: expert valuation -- exhibition -- draw -- 3. Visualizing the material and moral stakes of institutional lotteries -- 4. Lottery posters and booklets: the role of print in structuring the art worlds -- 5. Commercial lotteries in the Spanish Netherlands: actors, networks, risks, and profits -- 6. At the heart of the commercial lotteries -- 7. The mirage of art and wealth: the lottery's economic, social and cultural impacts -- Conclusion.
Summary:
The book examines the lotteries as devices for distributing images and art objects, and constructing their value in the former Low Countries. Alongside the fairs and before specialist auction sales were established, they were an atypical but popular and large-scale form of the art trade. As part of a growing entrepreneurial sensibility based on speculation and a sense of risk, they lay behind many innovations. This study looks at their actors, networks and strategies. It considers the objects at stake, their value, and the forms of visual communication intended to boost an appetite for ownership. Ultimately, it contemplates how the lottery culture impacted notions of Fortune and Vanitas in the visual arts.
Series:
Studies in the history of collecting & art markets ; volume 4
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.