The Locator -- [(title = "Franco")]

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02737aam a2200421 i 4500
001 49C0D768B50611EEB233F11920ECA4DB
003 SILO
005 20240117010048
008 220122t20212021be agh   b    001 0 eng d
010    $a 2022275972
020    $a 9042945966
020    $a 9789042945968
035    $a (OCoLC)1292973048
040    $a YDX $b eng $e rda $c YDX $d ERASA $d NHM $d OCLCO $d OCLCF $d YDX $d IUL $d DLC $d CDX $d OCLCQ $d OCLCO $d SILO
050  4 $a ML172 $b .U77 2021
100 1  $a Urquhart, Peter Whitney, $e author.
245 10 $a Sound and sense in Franco-Flemish music of the Renaissance : $b sharps, flats, and the problem of 'musica ficta' / $c by Peter Urquhart.
264  1 $a Leuven ; $b Peeters, $c 2021.
300    $a xxv, 598 pages : $b illustrations, facsimiles, music ; $c 26 cm
490 1  $a Analysis in Context. Leuven Studies in Musicology ; $v volume 7
500    $a Accidentals in Renaissance music have long been a problem for performers and editors, for they are often not fully prescribed in Franco-Flemish music. In the 20th century, a set of 'rules of musica ficta' was assembled to describe performers' practice in the 15th and 16th centuries, but the three primary rules contradict each other when applied to the repertory. The conflict forces one or more rules to be set aside in certain passages. Typically, modern editors sacrifice the linear rule in favor of harmonic aspects. The modern preference relies on a medieval concept - the exclusion of mi contra fa - which the author challenges. When the prohibition against mi contra fa is removed from singers' concerns, and understood as a rule aimed at composers - one they took delight in breaking at times - a proper balance between the three rules is regained, and an incisive and expanded harmonic world is revealed.--Provided by publisher.
504    $a Includes bibliographical references (pages [571]-589) and indexes.
650  0 $a Music $y 16th century $x History and criticism.
650  0 $a Musica ficta.
650  0 $a Music theory $x History $y 16th century.
650  0 $a Music $y 15th century $x History and criticism.
650  0 $a Music theory $x History $y 15th century.
650  7 $a Music $2 fast
650  7 $a Music theory $2 fast
650  7 $a Musica ficta $2 fast
648  7 $a 1500-1599 $2 fast
655  7 $a Criticism, interpretation, etc. $2 fast
655  7 $a History $2 fast
776 08 $i Online version: $a Urquhart, Peter Whitney. $t Sound and Sense in Franco-Flemish Music of the Renaissance. $d Leuven ; Paris ; Bristol, CT : Peeters, [2021] $z 9789042945975 $w (OCoLC)1293848902
830  0 $a Analysis in context ; $v v. 7.
941    $a 1
952    $l OVUX522 $d 20240117013328.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=49C0D768B50611EEB233F11920ECA4DB

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