Introduction: Kiarostami's Shirin and the continuing life of cinema -- Space: Pictureness and anti-perspectivalism in modernist film -- Spectator: The spectator and the text. The space of art in Greenaway -- Frame: Unframing the image. Theatricality and the art world of Bitter tears -- Color: Effacement. Color, modernism, and the female body -- Props: Object and thing in Lang's German films -- Decor: Collection and display in Fassbinder's Lola -- Actor: Dissonance. Bodies between registers.
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