Includes bibliographical references (p. 395-448) and index.
Contents:
I: Methodology. The history of silent film sound -- Crisis historiography -- II: The late nineteenth century soundscape -- The musical scene -- Lecture logic -- III: Early film sound. From peep show to projection -- Vaudeville -- IV: Nickelodeon sound. The crisis of the late Aughts -- Lectures, sound effects, and the itinerant exhibition model -- Films that talk -- The nickelodeon program -- Nickelodeon music -- V: The campaign to standardize sound. Trade press discourse -- Music for films -- Training musicians, training audiences -- VI: The golden era of silent film music. Moving picture orchestras come of age -- New roles for keyboard instruments -- Cue sheets and photoplay music -- Musical practices.
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