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03474aam a2200325 i 4500 001 FCF2B820F2B011E79A81643B97128E48 003 SILO 005 20180106010252 008 150821s2015 enka b 001 0 eng d 020 $a 1783203374 020 $a 9781783203376 035 $a (OCoLC)919192659 040 $a ERASA $b eng $e rda $c ERASA $d BDX $d CDX $d NhCcYBP $d UtOrBLW $d SILO 050 4 $a N410 $b .A78 2015 $0 http://id.loc.gov/authorities/classification/N 082 04 $a 708 $2 23 245 04 $a The artist as curator / $c edited by Celina Jeffery. 264 1 $a Bristol, UK ; $b Intellect, $c 2015. 300 $a vii, 202 pages ; $c 23 cm 504 $a Includes bibliographical references and index. 505 8 $a Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note. 505 8 $a Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's 'Artist's Choice' SeriesReferences; Note; Chapter 3: 'Both Object and Subject': MoMA's Burton on Brancusi; References; Notes; Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects; References; Chapter 5: Erasure: Curator as Artist; References; Notes; Chapter 6: Say My Name; Notes; Chapter 7: Performing the Curator, Curating the Performer: AbramovicÌ's Seven Easy Pieces; The Curator; The Archive; Performance; Seven Easy Pieces; References; Notes. 505 8 $a Chapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCover. 520 8 $a In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display,its creators, and its audience is subverted and democratized. one effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture. Taking a deliberatelymultidisciplinary and cross-cultural focus, The Artist as Curator will fill agap in museum and curatorial studies, offering a thorough and diversetreatment of various approaches to the historical and changing role of theartist as curator that should appeal to scholars, curators, and artists alike. 650 0 $a Artists as art museum curators. $0 http://id.loc.gov/authorities/subjects/sh2008005670 650 0 $a Curatorship. $0 http://id.loc.gov/authorities/subjects/sh2012000150 650 0 $a Art $x Exhibition techniques. $0 http://id.loc.gov/authorities/subjects/sh87005073 700 1 $a Jeffery, Celina, $e editor. $0 http://id.loc.gov/authorities/names/no2007157992 941 $a 1 952 $l OVUX522 $d 20191213020349.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=FCF2B820F2B011E79A81643B97128E48Initiate Another SILO Locator Search