Includes bibliographical references (pages 247-260) and index.
Contents:
Introduction -- Part one. A theory of musical interpretation: 1. Analysis in the musical work -- 2. Two interpretive roles -- Part two. Analytical essays: 3. Schenkerian analysis as metaphor : Chopin, Nocturne in C minor, op. 48, no. 1 -- 4. An analytical dialogue : Beethoven, String quartet in C minor, op. 18, no. 4, First movement -- 5. Musical structure(s) as subtext : resisting Schumann's "Ring".
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