Jane Harrison and the savage Dionysus: archaeological voyages, ritual origins, anthropology, and the modern theatre / Julie Stone Peters. "Vinløv i håret": the relationship between women, language, and power in Ibsen's Hedda Gabler / Tanya Thresher -- "¡Silencio, he dicho!": space, language, and characterization as agents of social protest in Lorca's rural tragedies / Bilha Blum -- The money shot: economies of sex, guns, and language in Topdog/Underdog / Myka Tucker-Abramson -- The space stage and the circus: e.e. cummings's Him and Frederick Kiesler's Raumbühne / Allison Carruth -- How to do nothing with words, or waiting for Godot as performativity / Richard Begam -- Reinventing Beckett / S.E. Gontarski -- Uncloseting drama: Gertrude Stein and the Wooster Group / Nick Salvato -- Synge's Playboy and the eugenics of language / Nicholas Crawford -- The Pillowman and the ethics of allegory / Hana Worthen and W.B. Worthen -- Cognitive catharsis in The Caucasian chalk circle / R. Darren Gobert -- Jane Harrison and the savage Dionysus: archaeological voyages, ritual origins, anthropology, and the modern theatre / Julie Stone Peters.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.