The Locator -- [(title = "Lucinda Devlin ")]

3 records matched your query       


Record 2 | Previous Record | MARC Display | Next Record | Search Results
Author:
Devlin, Lucinda, photographer. http://id.loc.gov/authorities/names/n97108543
Title:
Lucinda Devlin : sightlines.
Publisher:
Weatherspoon Art MuseumThe University of North Carolina at Greensboro,
Copyright Date:
2017
Description:
1 volume (unpaged) : color illustrations ; 31 x 31 cm
Subject:
Devlin, Lucinda--Exhibitions.
Devlin, Lucinda.
Photography, Artistic--Exhibitions.
Photography of interiors--Exhibitions.
Photography, Artistic.
Photography of interiors.
Exhibition catalogs.
Other Authors:
Weatherspoon Art Museum, host institution. http://id.loc.gov/authorities/names/no2003025333
George Eastman Museum, host institution. http://id.loc.gov/authorities/names/no2015145214
Doll, Nancy, 1947- author. http://id.loc.gov/authorities/names/n88014468
Gustafson, Elaine D., author. http://id.loc.gov/authorities/names/n91114269
Hostetler, Lisa, 1971- author. http://id.loc.gov/authorities/names/nr2002007706
Notes:
Published in conjunction with the exhibition at the Weatherspoon Art Museum, January 28-April 23, 2017, and at the George Eastman Museum, June 24-December 31, 2017. Includes bibliographical references.
Contents:
Foreword and acknowledgments / Nancy Doll -- Introduction: Lucinda Devlin: sightlines / Elaine D. Gustafson -- Inside out: Lucinda Devlin's disembodied rooms and cultured spaces / Lisa Hostetler.
Summary:
Lucinda Devlin's photographs serve as social commentaries on timely and socially relevant issues such as personal rights, the death penalty, and agribusiness. An internationally recognized American photographer who now lives in Greensboro, Devlin began her career in the 1970s during the genesis of color photography in America. At the time, she took up not only color photography, but also the artistic approach that she continues to this day, one that emphasizes an objective or neutral point of view. Devlin also discovered her preferred subject matter: psychologically charged spaces absent of any human figures yet nonetheless signaling contemporary public and private life. Her earliest series, Pleasure Ground, featured droll images of thematic hotel rooms. Subsequent series (Habitats, Subterranea, Corporal Arenas, Field Culture, and Lake Pictures) have continued to probe the meaning of place at such sites as zoos and amusement parks, tanning salons and health spas, hospitals and funeral homes, agricultural facilities and open fields, and lastly, Lake Huron's shoreline. Her most provocative and best known series, The Omega Suites (so named after the final letter of the Greek alphabet), proffered emotive images of sterile execution chambers and the apparatuses associated with them. Organized by the Weatherspoon Art Museum, Lucinda Devlin: Sightlines is the artist's first museum retrospective. The exhibition features 83 photographs chosen from all eight of Devlin's series--many of which were printed for the first time for display in the Weatherspoon's main McDowell Gallery.
ISBN:
1890949167
9781890949167
OCLC:
(OCoLC)981475155
LCCN:
2016917965
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

Initiate Another SILO Locator Search

This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.