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04189aam a2200565 i 4500 001 1F9825381B1B11EAA846F92397128E48 003 SILO 005 20191210010147 008 180907s2019 ncua b 001 0 eng c 010 $a 2018037344 020 $a 1478003030 020 $a 9781478003038 020 $a 1478001852 020 $a 9781478001850 035 $a (OCoLC)1037027580 040 $a NcD/DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d ERASA $d MYG $d YDX $d NYP $d PAU $d UtOrBLW $d SILO 042 $a pcc 043 $a n-us--- $0 http://id.loc.gov/vocabulary/geographicAreas/n-us 050 00 $a PN1992.8.C66 $b M44 2019 082 00 $a 791.456/53 $2 23 100 1 $a Miller, Quinlan, $d 1981- $e author. $0 http://id.loc.gov/authorities/names/no2018120831 245 10 $a Camp TV : $b trans gender queer sitcom history / $c Quinlan Miller. 246 3 $a Camp television 264 1 $a Durham : $b Duke University Press, $c 2019. 300 $a xi, 220 pages : $b illustrations ; $c 24 cm. 490 1 $a Console-ing passions 520 8 $a Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In 'Camp TV' Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as 'The Dick Van Dyke Show' as well as in more obscure fare, such as 'The Ugliest Girl in Town'. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in 'The Bob Cummings Show'), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations. 504 $a Includes bibliographical references (pages 197-209) and index. 505 0 $a Camp TV and queer gender : sitcom history -- Queer gender and Bob Cummings : Hollywood camp TV -- Marriage schmarriage : sex and the single person -- Trans camp TV : methods for girl history -- Conclusion: Around-the-clock queer gender : digital camp TV. 648 7 $a 1900-1999 $2 fast 650 0 $a Situation comedies (Television programs) $z United States $x History and criticism. 650 0 $a Television $x History $z United States $x History $y 20th century. 650 0 $a Transgender people in popular culture $z United States. 650 0 $a Gender nonconformity on television. $0 http://id.loc.gov/authorities/subjects/sh2007005094 650 0 $a Gender identity on television. $0 http://id.loc.gov/authorities/subjects/sh2009008435 650 0 $a Homosexuality and television $z United States $x History. 650 7 $a Gender identity on television. $2 fast $0 (OCoLC)fst01749074 650 7 $a Gender nonconformity on television. $2 fast $0 (OCoLC)fst01744076 650 7 $a Homosexuality and television. $2 fast $0 (OCoLC)fst01738020 650 7 $a Situation comedies (Television programs) $2 fast $0 (OCoLC)fst01744318 650 7 $a Television $x Social aspects. $2 fast $0 (OCoLC)fst01146618 650 7 $a Transgender people in popular culture. $2 fast $0 (OCoLC)fst01985144 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 776 08 $i Online version: $a Miller, Quinlan, 1981- author. $t Camp TV $d Durham : Duke University Press, 2019 $z 9781478003397 $w (DLC) 2018044915 830 0 $a Console-ing passions. $0 http://id.loc.gov/authorities/names/n95021277 941 $a 1 952 $l OVUX522 $d 20231020022609.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=1F9825381B1B11EAA846F92397128E48Initiate Another SILO Locator Search