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04082aam a2200445Ii 4500 001 70070A36209B11EABA878C2E97128E48 003 SILO 005 20191217010151 008 170405s2017 ncua bc 000 0 eng d 010 $a 2016917965 020 $a 1890949167 020 $a 9781890949167 035 $a (OCoLC)981475155 040 $a NGU $b eng $e rda $c NGU $d OCLCF $d OCLCQ $d IQU $d NUI $d UtOrBLW $d SILO 050 4 $a TR647 $b .D483 2017 050 4 $a TR647.D483 $b S54 2017 100 1 $a Devlin, Lucinda, $e photographer. $0 http://id.loc.gov/authorities/names/n97108543 245 10 $a Lucinda Devlin : $b sightlines. 246 3 $a Sightlines 264 1 $a Greensboro, NC : $b Weatherspoon Art Museum, The University of North Carolina at Greensboro, $c [2017] 300 $a 1 volume (unpaged) : $b color illustrations ; $c 31 x 31 cm 520 $a Lucinda Devlin's photographs serve as social commentaries on timely and socially relevant issues such as personal rights, the death penalty, and agribusiness. An internationally recognized American photographer who now lives in Greensboro, Devlin began her career in the 1970s during the genesis of color photography in America. At the time, she took up not only color photography, but also the artistic approach that she continues to this day, one that emphasizes an objective or neutral point of view. Devlin also discovered her preferred subject matter: psychologically charged spaces absent of any human figures yet nonetheless signaling contemporary public and private life. Her earliest series, Pleasure Ground, featured droll images of thematic hotel rooms. Subsequent series (Habitats, Subterranea, Corporal Arenas, Field Culture, and Lake Pictures) have continued to probe the meaning of place at such sites as zoos and amusement parks, tanning salons and health spas, hospitals and funeral homes, agricultural facilities and open fields, and lastly, Lake Huron's shoreline. Her most provocative and best known series, The Omega Suites (so named after the final letter of the Greek alphabet), proffered emotive images of sterile execution chambers and the apparatuses associated with them. Organized by the Weatherspoon Art Museum, Lucinda Devlin: Sightlines is the artist's first museum retrospective. The exhibition features 83 photographs chosen from all eight of Devlin's series--many of which were printed for the first time for display in the Weatherspoon's main McDowell Gallery. 500 $a Published in conjunction with the exhibition at the Weatherspoon Art Museum, January 28-April 23, 2017, and at the George Eastman Museum, June 24-December 31, 2017. 504 $a Includes bibliographical references. 505 0 $a Foreword and acknowledgments / Nancy Doll -- Introduction: Lucinda Devlin: sightlines / Elaine D. Gustafson -- Inside out: Lucinda Devlin's disembodied rooms and cultured spaces / Lisa Hostetler. 600 10 $a Devlin, Lucinda $v Exhibitions. 600 17 $a Devlin, Lucinda. $2 fast $0 (OCoLC)fst00401927 650 0 $a Photography, Artistic $v Exhibitions. $0 http://id.loc.gov/authorities/subjects/sh2008108790 650 0 $a Photography of interiors $v Exhibitions. $0 http://id.loc.gov/authorities/subjects/sh2010106181 650 7 $a Photography, Artistic. $2 fast $0 (OCoLC)fst01061964 650 7 $a Photography of interiors. $2 fast $0 (OCoLC)fst01061919 655 7 $a Exhibition catalogs. $2 fast $0 http://id.worldcat.org/fast/1424028 $0 http://id.worldcat.org/fast/1424028 710 2 $a Weatherspoon Art Museum, $e host institution. $0 http://id.loc.gov/authorities/names/no2003025333 710 2 $a George Eastman Museum, $e host institution. $0 http://id.loc.gov/authorities/names/no2015145214 700 1 $a Doll, Nancy, $d 1947- $e author. $0 http://id.loc.gov/authorities/names/n88014468 700 1 $a Gustafson, Elaine D., $e author. $0 http://id.loc.gov/authorities/names/n91114269 700 1 $a Hostetler, Lisa, $d 1971- $e author. $0 http://id.loc.gov/authorities/names/nr2002007706 941 $a 1 952 $l OVUX522 $d 20191217024405.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=70070A36209B11EABA878C2E97128E48Initiate Another SILO Locator Search