Includes bibliographical references (pages [191]-196) and index.
Contents:
Stirrings of discontent: a theoretical context -- Becoming fiction: Sarraute, Stein, Hemingway -- Carver, Sarraute, Toussaint -- Echenoz, Fabre, DeLillo -- Lights camera action: becoming against the screen -- Mark the music: microsound and becoming-silence -- The masochistic body -- The somaesthetic turn: becoming-minimal -- On virtue, verbs, and the virtual -- Conclusion and post script: On being able.
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