The Locator -- [(subject = "English literature--Chinese influences")]

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Title:
British Modernism and Chinoiserie / edited by Anne Witchard.
Publisher:
Edinburgh University Press,
Copyright Date:
2015
Description:
x, 235 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm
Subject:
English literature--Chinese influences.
English literature--20th century--History and criticism.
Chinoiserie (Art)--Great Britain.
Art, British--Chinese influences.
Modernism (Aesthetics)--Great Britain.
Other Authors:
Witchard, Anne Veronica, editor. http://id.loc.gov/authorities/names/n2008073259
Notes:
Includes bibliographical references and index.
Contents:
Chinoiserie : an unrequited architectural affair / Edward Denison. China and the formation of the modernist aesthetic ideal / David Porter -- Shared affinities : Katherine Mansfield, Ling Shuhua and Virginia Woolf / Patricia Laurence -- Roger Fry, Chinese art and The Burlington magazine / Ralph Parfect -- Chinese artistic influences on the vorticists in London / Michelle Ying-Ling Huang -- The idea of the Chinese garden and British aesthetic modernism / Elizabeth Chang -- "Beautiful, baleful absurdity" : chinoiserie and modernist ballet / Anne Witchard -- Fashion, chinoiserie and modernism / Sarah Cheang -- The Oriental and the music hall : sound and space in Thomas Burke's Limehouse Chinatown / Paul Kendall -- Staging China, excising the Chinese : Lady Precious Stream and the darker side of chinoiserie / Diana Yeh -- Chinoiserie : an unrequited architectural affair / Edward Denison.
Summary:
This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism. Traditionally defined as a decorative style that conjured a fanciful and idealized notion of China, chinoiserie was revived in in London's avant-garde circles, the Bloomsbury group, the Vorticists and others, who like their eighteenth-century forebears, turned to China as a cultural and aesthetic utopia. As part of Modernism's challenge to the 'universality' of so-called Western values and aesthetics, the turn to China would contribute much more than has been acknowledged to Modernist thinking. As these 10 new chapters demonstrate, China as an intellectual and aesthetic utopia dazzled intellectuals and aesthetes, at the same time the consumption of Chinese exoticism became commercialized. The essays show that from cutting-edge Modernist chic to mass culture and consumer products, the vogue for chinoiserie style and motifs permeated the art and design of the period. --Provided by publisher.
ISBN:
0748690956
9780748690954
OCLC:
(OCoLC)892458773
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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