Includes bibliographical references (p. 183-193), filmography (p. 195-197), and index.
Contents:
Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- Reframing the Jewish family -- A treyf autocritique of autobiography -- Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography.
Summary:
Examining more than a dozen films from Jewish artists, this book reveals how the postmodern impulse to turn the lens inward intersects provocatively with historical tropes and stereotypes of the Jew. It focuses on Jewish filmmakers working on the margins and examines the work of Jonathan Caouette, Chantal Akerman and many more.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.