Includes bibliographical references (p. 219-233) and index.
Contents:
Introduction -- "Party pieces": oral storytelling and social performance in Ireland -- Dubliner: "scrupulous meanness" versus expansive performance -- Stephen Dedalus's non serviam: patriarchal and performative failure in a portrait of the artist as a young man -- Vying for artistry in Ulysses -- Vying for center stage in Beckett's early plays -- Coda: Stage(d) endings.
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