Includes bibliographical references (pages 320-343) and index.
Contents:
Images of objectification : Othello as prop in Kill Shakespeare -- Colorblindness on the post-racial stage : hip hop, comedy, and cultural appropriation in Othello: the remix -- Othello, race, and serial : the ethics of a Shakespearean cameo -- "No tools with which to hear" : adaptive re-vision, audience education, and American moor -- At the intersection of gender, race, and white privilege : a case of three Desdemona plays -- Resisting lobotomized Shakespeare : whiteness and universality in Key & Peele and Get out.
Summary:
Traces the history of Othello's contemporary citations, adaptations, and appropriations across genres.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.