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01977aam a2200409 a 4500 001 D2A43926754A11E093F7D39A6AFF544E 003 SILO 005 20110503010059 008 100625s2010 nbua b s001 0 eng 010 $a 2010026528 020 $a 0803211260 (cloth : alk. paper) 020 $a 9780803211261 (cloth : alk. paper) 035 $a (OCoLC)555650123 040 $a DLC $c DLC $d SILO $d BTCTA $d YDXCP $d TXX $d YAM $d CDX $d BWX $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PN1995.9.I48 $b R34 2010 050 00 $a PN1995.9.I48 $b R34 2010 100 1 $a Raheja, Michelle H. 245 1 $a Reservation reelism : $b redfacing, visual sovereignty, and representations of Native Americans in film / $c Michelle H. Raheja. 260 $a Lincoln : $b University of Nebraska Press, $c c2010. 300 $a xviii, 338 p. : $b ill. ; $c 23 cm. 504 $a Includes bibliographical references (p. [291]-317) and index. 505 0 $a Toward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner) 650 0 $a Indians in motion pictures. 650 0 $a Indigenous peoples in motion pictures. 650 0 $a Indians in the motion picture industry $z United States. 650 0 $a Stereotypes (Social psychology) in motion pictures. 650 0 $a Motion pictures $z United States $x History $y 20th century. 941 $a 6 952 $l PLAX964 $d 20230718090055.0 952 $l OVUX522 $d 20180110041518.0 952 $l USUX851 $d 20160825080926.0 952 $l HWAX074 $d 20140415021228.0 952 $l UQAX771 $d 20110823071631.0 952 $l OIAX792 $d 20110503013421.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D2A43926754A11E093F7D39A6AFF544EInitiate Another SILO Locator Search