The Locator -- [(subject = "Motion picture editors--United States--Interviews")]

5 records matched your query       


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03658aam a2200613Ia 4500
001 1C40035C214711EEBC7340321FECA4DB
003 SILO
005 20230713010558
008 050107s2004    nyua   e      001 0 eng d
010    $a 2005270179
020    $a 0375709827
020    $a 9780375709821
035    $a (OCoLC)57386159
040    $a CMI $b eng $c CMI $d OCLCQ $d OCLCG $d AU@ $d CO3 $d S9I $d ZR1 $d BDX $d OCLCF $d OCLCO $d OCLCQ $d I8M $d XC$ $d OCLCA $d S3O $d ATSAE $d OCLCQ $d OCLCO $d SILO
043    $a n-us---
050 14 $a TR849.M86 $b O53 2004
082 04 $a 778.5/35 $2 22
084    $a Imac $2 kssb/8
084    $a Imaa $2 kssb/8
084    $a Pnbb $2 kssb/8
100 1  $a Ondaatje, Michael, $d 1943-
245 14 $a The conversations : $b Walter Murch and the art of editing film / $c Michael Ondaatje.
250    $a 1st pbk. ed.
260    $a New York : $b Alfred A. Knopf, $c 2004.
300    $a xxi, 339 pages : $b illustrations ; $c 22 cm
500    $a Originally copyrighted 2002.
500    $a Includes index.
520    $a Here are Michael Ondaatje's conversations with film and sound editor Walter Murch.
505 0  $a Introduction -- First Conversation. Humble Sounds; High School Confidential; "Strange Like Me"; Influences; Directors and Editors; Eyes Half Closed; There Is Only One First Time; The Dark Ages; "I'm not going to mix the picture upside down!"; Apocalypse Then and Now; Burning Celluloid; Brando; Willard's Gaze; On Editing Actors; The New Scenes; The Dead French; Apocalypse Now Redux -- Second Conversation. The Right Time for the Invention of the Wheel; Murder Music; Five Types of Ambiguity; Two Rumours; Devil's Work; Watch How They Say It; "Ka-lunk"; Novels and Films-The Redundant Abundance; The Tragedy-of-Job Moments; "Wideo"; The Non-Film Way of Living -- Third Conversation. Editing The Conversation; The Invisible Partner; The Minor Key; What's Under the Hands?; "Night Was Night": Re-editing Touch of Evil; "As if Orson was sending us notes"; The Wrong Echo; The Most Characteristic Angle.
505 8  $a Fourth Conversation. Influences; Negative Twenty Questions; Enforced Idleness; Two Kinds of Filmmaking; Why Did He Like It Better?; Family Life; The Unanticipated Collisions of Things; A Pebble, A Cricket, A Wrench; "The Blue Looked Dead"; A Wrong Reading; Divergent/Convergent; The Disappearing Brother; Preludes; A Grease Pencil and Real Time; "Waiting for Provocation" -- Last Conversation. Blessed Unrest; Writing Return to Oz; Just Below the Surface; A Wonderful Line from Rilke; Dreams -- Miscellany. Murch and the Movies.
500    $a Originally copyrighted 2002.
500    $a Includes index.
600 10 $a Murch, Walter, $d 1943- $v Interviews.
600 17 $a Murch, Walter, $d 1943- $2 fast $0 (OCoLC)fst00307260
600 10 $a Murch, Walter, $d 1943- $v Interviews.
600 10 $a Ondaatje, Michael, $d 1943-
650  0 $a Motion picture editors $z United States $v Interviews.
650  0 $a Motion pictures $x Editing.
650  6 $a Monteurs (Cinéma) $z États-Unis $v Entretiens.
650  6 $a Montage (Cinéma)
650  7 $a Motion picture editors. $2 fast $0 (OCoLC)fst01027133
650  7 $a Motion pictures $x Editing. $2 fast $0 (OCoLC)fst01027319
651  7 $a United States. $2 fast $0 (OCoLC)fst01204155
650  7 $a Filmklippning. $2 sao
650  7 $a Film. $2 sao
650  7 $a Filmregi. $2 sao
650  7 $a Filmregissörer. $2 sao
650  0 $a Motion pictures $x Editing.
655  7 $a Interviews. $2 fast $0 (OCoLC)fst01423832
700 1  $a Murch, Walter, $d 1943-
941    $a 1
952    $l PLAX964 $d 20240724062053.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=1C40035C214711EEBC7340321FECA4DB
994    $a 92 $b IOH

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