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04699aam a2200577 i 4500 001 2CCC0EB219C611E7BD0085CCDAD10320 003 SILO 005 20170405010226 008 160329t20162016cauab b 001 0 eng c 010 $a 2016013972 020 $a 1606065084 020 $a 9781606065082 035 $a (OCoLC)950519462 040 $a JPG/DLC $b eng $e rda $c JPG $d DLC $d OCLCO $d BDX $d OCLCF $d YDXCP $d BTCTA $d YDX $d OCLCO $d EYM $d CAAGO $d CHVBK $d OCLCO $d SILO 042 $a pcc 043 $a e-ur--- 050 00 $a PG3065.F8 $b P47 2016 082 00 $a 709.04/082 $2 23 100 1 $a Perloff, Nancy, $e author. 245 10 $a Explodity : $b sound, image, and word in Russian futurist book art / $c Nancy Perloff. 264 1 $a Los Angeles, California : $b Getty Research Institute, $c [2016] 300 $a vii, 199 pages ; $c 22 cm 504 $a Includes bibliographical references and index. 500 $a "The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning "beyond the mind") that was distinctive in its emphasis on "sound as such" and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book."--ECIP data view. 505 0 $a From the provinces: anticipations of Mirskontsa -- Sounding the accidental ("death to symbolism") -- Mirskontsa: collaborative book art and transrational sounds -- Unlocking the semantics of sound in vzorval' -- The afterlife of Russian futurist book art. 520 2 $a "The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning "beyond the mind") that was distinctive in its emphasis on "sound as such" and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book."--ECIP data view. 650 0 $a Futurism (Literary movement) $z Russia. 650 0 $a Futurism (Art) $z Russia. 650 0 $a Literature, Experimental $z Russia $y 20th century $x History and criticism. 650 0 $a Artists' books $z Russia $x History $y 20th century. 650 0 $a Avant-garde (Aesthetics) $x History $y 20th century. 650 7 $a Artists' books. $2 fast $0 (OCoLC)fst00817660 650 7 $a Avant-garde (Aesthetics) $2 fast $0 (OCoLC)fst00824280 650 7 $a Futurism (Art) $2 fast $0 (OCoLC)fst00936780 650 7 $a Futurism (Literary movement) $2 fast $0 (OCoLC)fst00936786 650 7 $a Literature, Experimental. $2 fast $0 (OCoLC)fst01000149 651 7 $a Russia. $2 fast $0 (OCoLC)fst01207312 650 4 $a Futurism (Literary movement) $z Russia. 650 7 $a Buchdruck $2 gnd 650 7 $a Futurismus $2 gnd 650 7 $a KuÂnstlerbuch $2 gnd 650 7 $a Kunstbuch $2 gnd 651 7 $a Russland $2 gnd 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 710 2 $a Getty Research Institute, $e issuing body. 941 $a 1 952 $l USUX851 $d 20240305043917.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=2CCC0EB219C611E7BD0085CCDAD10320 994 $a 92 $b IWAInitiate Another SILO Locator Search