Includes bibliographical references (p. 191-200) and index. Filmography: p. 187-189.
Contents:
Tomás Gutiérrez Alea's changing images of the revolution: from Memories of underdevelopment to Strawberry and chocolate -- Seducing the public: images of Mexico in Like water for chocolate and Amores perros -- Searching the past for the future: Justiniano's Amnesia and Larraín's The frontier -- Representing inequalities: The voyage by Fernando Solanas and I the worst of all by María Luisa Bemberg -- National identity and the family in Pixote by Hector Babenco and Central station by Walter Salles.
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