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03198aam a2200301 i 4500 001 C9032046223711EFB457909958ECA4DB 003 SILO 005 20240604010036 008 230226t20242024paua e bq 001 0 eng d 020 $a 0762484934 020 $a 9780762484935 035 $a (OCoLC)1370328050 040 $a YDX $b eng $e rda $c YDX $d BDX $d OCLCO $d ABJ $d OCLCO $d GO4 $d OCLCO $d HQC $d SILO 100 1 $a Silver, Alain, $d 1947- $e author. 245 10 $a From the moment they met it was murder : $b double indemnity and the rise of film noir / $c Alain Silver and James Ursini. 246 1 $i At head of title: $a TCM, Turner Classic Movies 250 $a First edition. 264 1 $a Philadelphia : $b Running Press, $c 2024. 300 $a 339 pages : $b illustrations ; $c 24 cm 500 $a "The behind-the-scenes story of the quintessential film noir, Double Indemnity, is told for the first time in this enthralling narrative from noir authorities Alain Silver and James Ursini." -- Dust jacket. 504 $a Includes bibliographical references, filmography, and index. 505 0 $a Prologue: Moonlight and Roses -- True Crime -- Human Interest -- The Mystery Writer -- The Austrian Journalist -- The Movie: A Fancy Piece of Homicide -- The Movie: The Top Shelf -- Aftermath and Movement: The Rise of Film Noir -- Filmography and Synopsis -- Proto-noir. 520 $a "From actual murder to magazine fiction to movie, the history of Double Indemnity is as complex as anything that hit the screen during film noir's classic period. A 1927 tabloid sensation "crime of the century" inspired journalist and would-be crime-fiction writer James M. Cain to pen a novella. Hollywood quickly bid on the film rights, but throughout the 1930s a strict code of censorship made certain that no studio could green-light a murder melodrama based on real events. Then in 1943 veteran scriptwriter and newly minted director Billy Wilder wanted the story for his third movie. With tentative approval from the studio he hired hardboiled novelist Raymond Chandler to co-write a script that would be acceptable to industry censors. Director Wilder then cajoled a star cast into coming aboard: the incomparable Barbara Stanwyck in her unforgettable turn as the ultimate femme fatale; alongside Fred MacMurray, going against type as her accomplice; and Edward G. Robinson as a dogged claims investigator. Wilder kept Chandler on for the entire shoot, and other key collaborators were cinematographer John Seitz, costume designer Edith Head, and composer Mikl?s R?zsa. With all these talented contributors, the final film became one of the earliest studio noirs to gain critical and commercial success, including being nominated for seven Oscars. It powerfully influenced the burgeoning noir movement, spawned many imitators, and affected the later careers of all its cast and crew. Double Indemnity's impact on filmmakers and audiences is still felt eight decades since its release." -- $c Publisher's description. 700 1 $a Ursini, James, $e author. 941 $a 2 952 $l TDPH826 $d 20240702011822.0 952 $l TCPG826 $d 20240604011320.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C9032046223711EFB457909958ECA4DBInitiate Another SILO Locator Search