Includes bibliographical references (pages 223-235) and index.
Contents:
Truth to nature and the "innocent eye" -- John Everett Millais and John Brett : the rise of imagination and the crisis of Pre-Raphaelitism -- P.H. Emerson and George Clausen : renouncing the quest -- Neorealism : truth to nature in modernist critical debate.
Summary:
"Investigates why nineteenth-century British painters and photographers as diverse as the Pre-Raphaelites, P.H. Emerson, and Augustus John pursued truth to nature, and how contemporary science and philosophy informed their artistic practice and the critical reception of their work"--Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.