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03899cam a2200361 a 4500 001 89B75792FBD011DEB3E93EDF5F36B428 003 SILO 005 20100120073657 008 080811s2009 caua b s001 0 eng 010 $a 2008035578 020 $a 0520256964 (pbk. : alk. paper) 020 $a 9780520256965 (pbk. : alk. paper) 020 $a 0520256956 (cloth : alk. paper) 020 $a 9780520256958 (cloth : alk. paper) 035 $a (OCoLC)244246607 040 $a DLC $c DLC $d SILO $d UKM $d YDXCP $d C#P $d CDX $d BWX $d VP@ $d OMB $d IWA $d SILO 043 $a n-us--- 050 00 $a PN1995.9 A8 P53 2009 100 1 $a Plantinga, Carl R. 245 1 $a Moving viewers : $b American film and the spectator's experience / $c Carl Plantinga. 260 $a Berkeley : $b University of California Press, $c c2009. 300 $a xii, 280 p. : $b ill. ; $c 23 cm. 504 $a Includes bibliographical references (p. 253-267) and index. 505 0 $a Introduction: Affect and the movies : The significance of affect ; A theory of affect at the movies ; In defense of films ; Spectators and roles: a brief note on terminology -- 1. Pleasures, desires, fantasies : Movie pleasures ; Cognitive play ; Visceral experience ; Sympathy, antipathy, and parasocial engagement ; Narrative scenarios and emotional satisfactions ; Reflexive and social pleasures ; The multiple pleasures of the spectator ; Movie desires ; Movies as fantasies ; Movies and dreams -- 2. Movies and emotions : Automaticity and the psychological unconscious ; What is emotion? ; A cognitive-perceptual approach ; Basic concepts and terms ; Emotions inside and outside the movie theater ; The paradox of fiction ; Play and the regulation of emotion ; Kinds of emotion ; Direct, sympathetic/antipathetic, artifact, and meta-emotions ; Memory traces and associations ; Summary: emotions at the movies -- 3. Stories and sympathies : Affective prefocusing ; Paradigm scenarios ; Primary emotions and the movies ; Hollywood and the new Hollywood ; Narrative and character ; Classical narrative structure and emotion ; Character engagement ; Character goals and engagement ; The structure of engagement ; Character engagement and spectator difference ; What character engagement is: a summary -- 4. The sensual medium : Seeing and hearing movies ; Film and the body ; Direct affect ; Representing emotional experience ; Affective mimicry ; Mimicry and the face ; Mimicry and the body ; Music, sound, and affect ; Affect and contemporary Hollywood style -- 5. Affective trajectories and synesthesia : Narrative focus ; Character goals and narration ; Synesthetic affect and fittingness ; Narrative scenarios and synesthetic affect ; Shame, guilt, and the Spectator ; Shame and guilt as meta-emotions ; Shame/guilt scenarios and synesthetic affect ; Four parameters of affective trajectories -- 6. Negative emotions and sympathetic narratives : Sympathetic and distanced narratives ; The paradox of negative emotions ; Hume on the paradox of tragedy ; Catharsis? ; Managing the negative emotions ; The spillover effect ; Fantasies of assurance and control ; Ideology in sympathetic and distanced narratives -- 7. The rhetoric of emotion: disgust and beyond : The affective rhetoric of film ; The case of disgust ; Disgust defined ; The rise of movie disgust ; The nature of movie disgust ; The rhetoric of movie disgust ; Polyester and ironic disgust ; The rhetoric of emotion in film -- Conclusion: Moving viewers. 650 0 $a Motion picture audiences $x Psychology. 650 0 $a Motion pictures $z United States. 856 41 $3 Table of contents only $u http://www.loc.gov/catdir/toc/ecip0826/2008035578.html 941 $a 3 952 $l OVUX522 $d 20180118071937.0 952 $l USUX851 $d 20160825033348.0 952 $l PTAX572 $d 20100120073657.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=89B75792FBD011DEB3E93EDF5F36B428 994 $a 02 $b IWAInitiate Another SILO Locator Search