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04054aam a2200457 i 4500 001 5301E6AA8E3311E3B5D817AEDAD10320 003 SILO 005 20140205010036 008 130215s2013 nyua b 001 0 eng 010 $a 2012050992 020 $a 0199977976 (hardcover : acid-free paper) 020 $a 9780199977970 (hardcover : acid-free paper) 035 $a (OCoLC)828054384 040 $a DLC $e rda $b eng $c DLC $d YDX $d YDXCP $d BTCTA $d UKMGB $d OCLCO $d CDX $d SDB $d COO $d STF $d YUS $d BDX $d PUL $d A7U $d OCLCF $d SILO 042 $a pcc 043 $a e-uk-en 050 00 $a PN56.P555 $b K35 2013 082 00 $a 809/.93358 $2 23 100 1 $a Kalliney, Peter J., $d 1971- 245 10 $a Commonwealth of letters : $b British literary culture and the emergence of postcolonial aesthetics / $c Peter J. Kalliney. 264 1 $a New York : $b Oxford University Press, $c [2013] 300 $a xiii, 316 pages : $b ill. ; $c 25 cm. 490 1 $a Modernist literature & culture 504 $a Includes bibliographical references and index. 505 0 $a Modernist networks and late colonial intellectuals -- Race and modernist anthologies: Nancy Cunard, Langston Hughes, Claude McKay, Ezra Pound -- For continuity: FR Leavis, Kamau Brathwaite, and Ngugi Wa Thiong'o -- Metropolitan modernism and its West Indian interlocutors -- Developing fictions: Amos Tutuola at Faber and Faber -- Metropolitan publisher as postcolonial clearinghouse: the African writers series -- Jean Rhys: Left Bank modernist as postcolonial intellectual. 520 $a Commonwealth of Letters examines midcentury literary institutions integral to modernism and postcolonial writing. Several organizations central to interwar modernism, such as the BBC, influential publishers, and university English departments, became important sites in the emergence of postcolonial literature after the war. How did some of modernism's leading figures of the 1930s-such as T.S. Eliot, Louis MacNeice, and Stephen Spender-come to admire late colonial and early postcolonial literature in the 1950s? Similarly, why did late colonial and early postcolonial writers-including Chinua Achebe, Kamau Brathwaite, Claude McKay, and Ngugi wa Thiong'o-actively seek alliances with metropolitan intellectuals? Peter Kalliney's original and extensive archival work on modernist cultural institutions demonstrates that this disparate group of intellectuals had strong professional incentives to treat one another more as fellow literary professionals, and less as political or cultural antagonists. Surprisingly, metropolitan intellectuals and their late colonial counterparts leaned heavily on modernist theories of aesthetic autonomy to facilitate their collaborative ventures. For white, metropolitan writers, T.S. Eliot's notion of impersonality could help recruit new audiences and conspirators from colonized regions of the world. For black, colonial writers, aesthetic autonomy could be used to imagine a literary sphere uniquely resistant to the forms of racial prejudice endemic to the colonial system. This strategic collaboration did not last forever, but as Commonwealth of Letters shows, it left a lasting imprint on the ultimate disposition of modernism and the evolution of postcolonial literature. 650 0 $a Postcolonialism in literature. 650 0 $a Modernism (Literature) 650 0 $a Commonwealth literature (English) $x History and criticism. 650 0 $a Literature $x Philosophy. 650 7 $a Commonwealth literature (English) $2 fast $0 (OCoLC)fst00869850 650 7 $a Literature. $2 fast $0 (OCoLC)fst00999953 650 7 $a Literature $x Philosophy. $2 fast $0 (OCoLC)fst01000005 650 7 $a Modernism (Literature) $2 fast $0 (OCoLC)fst01024455 650 7 $a Postcolonialism. $2 fast $0 (OCoLC)fst01073032 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 830 0 $a Modernist literature & culture. 941 $a 2 952 $l OVUX522 $d 20220817011000.0 952 $l USUX851 $d 20160826080633.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=5301E6AA8E3311E3B5D817AEDAD10320Initiate Another SILO Locator Search