The Locator -- [(subject = "Catalogues d'exposition")]

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03442aam a2200397 i 4500
001 59E6C58ECD6211EE9507C16149ECA4DB
003 SILO
005 20240217010049
008 230221t20232023enka     bc   000 0 eng d
020    $a 0903696681
020    $a 9780903696685
035    $a (OCoLC)1371848021
040    $a UKMGB $b eng $e rda $c UKMGB $d YDX $d ERASA $d OCLCF $d BDX $d INU $d TFW $d OCLCO $d PMC $d SILO
050  4 $a N7397.6.U333 $b A242 2023
082 04 $a 759.96762 $2 23
245 00 $a Stacey Gillian Abe : $b shrub-let of old Ayivu / $c editor: Kelsey Corbett.
246 30 $a Shrub-let of old Ayivu
264  1 $a London : $b Hurtwood, $c [2023]
300    $a 167 pages : $b color illustrations ; $c 31 cm
500    $a Published to accompany the exhibition of the same name held at Unit London, 22nd November 2022-7th January 2023.
504    $a Includes bibliographical references.
505 0  $a Director's foreword -- In conversation with Catherine McKinley -- Works 2022 -- The gaze, the eye, the pose / by Flavia Frigeri -- Works 2019-2022 -- Stacey Gillian Abe's mythologies / by Serubiri Moses -- Works 2023.
520 8  $a Ugandan painter Stacey Gillian Abe's first monograph explores ideas of shared memory, matrilineal inheritance and feminine power in her striking indigo-skinned figures. The debut monograph of Stacey Gillian Abe's work is created to accompany her first London solo show at Unit London. Featuring works spanning her career to date, the book explores the key themes from Abe's work and delves deep into her expressive and symbolic indigo portraits. Abe's book includes insightful written contributions from Flavia Frigeri, art historian, lecturer and the Chanel Curator at the National Portrait Gallery and Serubiri Moses, renowned writer and curator, alongside a conversation between the artist and Catherine Mckinley, curator and author of the critically acclaimed Indigo: In Search of the Color That Seduced the World and The Book of Sarahs: A Family in Parts. Abe's work reflects her past and her memories, highlighting her personal experiences and her relationships to her community. The autobiographical dimension of her work confronts traditional depictions of the Black body, challenging the colonial lens. Abe creates imaginary spaces that induce a surreal mystical feel while probing unsettling past and present narratives of identity, gender, spirituality and cultural mysticism. Renowned for her indigo skin-tone paintings, the colour has become crucial in reshaping narratives surrounding the black body. Through the colour, she dives into the past to envision an alternative future for the Black race. To Abe, indigo represents a tribe of people that are not limited to social, economic, cultural, political or historic constraints: 'it is about being unapologetic'. Exhibition: Unit, London, UK (22.11.2022 - 27.01.2023).
600 10 $a Abe, Stacey Gillian, $d 1990- $v Exhibitions.
650  0 $a Women artists, Black.
650  0 $a Art, Ugandan.
655  7 $a exhibition catalogs. $2 aat
655  7 $a Exhibition catalogs $2 fast
655  7 $a Exhibition catalogs. $2 lcgft
655  7 $a Catalogues d'exposition. $2 rvmgf
700 1  $a Abe, Stacey Gillian, $d 1990- $e artist.
700 1  $a Corbett, Kelsey, $e editor.
710 2  $a Unit London (Art gallery), $e host institution.
941    $a 1
952    $l OVUX522 $d 20240217012113.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=59E6C58ECD6211EE9507C16149ECA4DB

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