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02958aam a22003738i 4500 001 ECED264AEAE411E387729F9EDAD10320 003 SILO 005 20140603010131 008 131004s2014 ncuaf b 001 0 eng c 010 $a 2013037965 020 $a 0822356562 (pbk. : alk. paper) 020 $a 9780822356561 (pbk. : alk. paper) 020 $a 0822356449 (cloth : alk. paper) 020 $a 9780822356448 (cloth : alk. paper) 035 $a (OCoLC)859044858 040 $a NcD/DLC $b eng $e rda $c NDD $d DLC $d YDXCP $d BTCTA $d BDX $d UKMGB $d IUL $d ZCU $d SILO 042 $a pcc 050 00 $a PN1995 $b .B75 2014 082 00 $a 791.4301/5 $2 23 100 1 $a Brinkema, Eugenie, $d 1980- 245 14 $a The forms of the affects / $c Eugenie Brinkema. 263 $a 1403 264 1 $a Durham : $b Duke University Press, $c 2014. 300 $a xvi, 347 pages, 2 unnumbered pages of plates : $b illustrations ; $c 23 cm 504 $a Includes bibliographical references (pages 315-332) and index. 505 0 $a Preface. Ten points to begin -- Chapter One. A Tear That Does Not Drop, But Folds: Crying is structured like a language; Tears without bodies -- Chapter Two. Film Theory's Absent Center: Emotion, feeling, excess, affect; Affective fallacies; Reading for affect; Mise-n'en-sceÌne: formalism after presence -- Chapter Interval: solitude -- Chapter Three. The Illumination of Light: Visible darkness: optics according to Augustine; Light, the peculiar; Ongoing dialogues with loss; Grief without sublation -- Chapter Four. Grief and the Undialectical Image: Ma mort indialectique; Extra missing things; Acedia and the Pose; Where being would have been; A still and heavy pain -- Chapter Five. Aesthetic Exclusions and the Worse than the Worst: Philosophy of the retch; Aesthetics' tastes; What is worse than the worst; Objects, abjects, close-ups; Laura Dern's vomit; Wild hearts, sick figures -- Chapter Six. Disgust and the Cinema of Haut GouÌt: Gastronomy according to peter greenaway; Dissecting qualities; Rot's progress; On having an excellent palate -- Interval: formalism and affectivity -- Chapter Seven. Intermittency, Embarrassment, Eismay: These things that creep, stir and squirm; Heksebrev; Interruption or the interval; Esmoi, esmais, eÌmoi; Treading red blue water -- Chapter Eight. Nothing/Will Have Taken Place/But the Place: Open Water Anxiety: Something or nothing; A shark is a form of time; A shark punctures a line; Death is a turn of the color wheel; Nothing but the place -- Chapter Nine. To Begin Again: the Ingression of Joyful Forms: Affirmable modes of recurrence; (Shall we) let x =; Putting one's faith in form. 650 0 $a Film criticism. 650 0 $a Formalism (Literary analysis) 650 0 $a Affect (Psychology) 650 0 $a Critical theory. 941 $a 2 952 $l USUX851 $d 20220506014143.0 952 $l OVUX522 $d 20180118024134.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=ECED264AEAE411E387729F9EDAD10320Initiate Another SILO Locator Search