Includes bibliographical references (pages 265-290) and index.
Contents:
Introduction : authorship and sublimity -- Citizenship and Godhood : a historical aesthetics of the sublime image, Longinus to Lyotard -- Spenser's sublime career -- Fictions of transport : Spenser's heroic sublime -- Tragedy and transport : Phantasia in Marlowe's poems and plays -- 'A world of figures' : the Shakespearean sublime -- The sublime wit of Ben Jonson -- Afterword : 'the Aonian mount' : sublimity, eloquence, canonicity.
Summary:
"Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.