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01934aam a2200301 a 4500 001 1501C0D2669E11E6BC78B878DAD10320 003 SILO 005 20160820010703 008 030624s2003 ncu b 001 0 eng 010 $a 2003014370 020 $a 9780786416035 020 $a 0786416033 (softcover : alk. paper) 035 $a (OCoLC)52518831 040 $a DLC $c DLC $d YDX $d SILO 050 00 $a PN1998.3.B47 $b T46 2003 082 00 $a 791.43/0233/092 $2 21 100 1 $a ToÂrnqvist, Egil, $d 1932-2015. 245 10 $a Bergman's muses : $b aesthetic versatility in film, theatre, television, and radio / $c by Egil T©Årnquist. 260 $a Jefferson, N.C. : $b McFarland & Company, $c c2003. 300 $a vi, 265 p. ; $c 24 cm. 504 $a Includes bibliographical references (p. 235-259) and index. 505 0 $a One. Transpositions ; 1. From drama text to stage performance: Ibsen's ghosts ; 2. From drama text to radio play: Aural Strindberg ; 3. From screenplay to film: Bergman's The communicants -- Two. Multimedia ; 4. Transcending boundaries: Mozart's The magic flute as television opera ; 5. Moli©·re's Don Juan on stage and sceen ; 6. Euripides' The Bacchae as opera, teevision opera, and stage play ; 7. Mishima's Madame de Sade on stage and on television -- Three. Intermediality ; 8. Bergman's After the rehearsal on television ; 9. Film and stage on television: Bergman's In the presence of a clown ; 10. Film on stage and on television: Enquist's The image makers -- Four. Presentational aspects ; 11. The subjective point of view ; 12. The visualized audience ; 13. The hidden observers ; 14. The silent caracters ; 15. "This is my hand". 600 10 $a Bergman, Ingmar, $d 1918-2007 $x Criticism and interpretation. 941 $a 2 952 $l OVUX522 $d 20171226042838.0 952 $l USUX851 $d 20160820061143.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=1501C0D2669E11E6BC78B878DAD10320 994 $a 92 $b IWAInitiate Another SILO Locator Search