Includes bibliographical references (p. 186-187) and index.
Contents:
Introduction: watching ourselves watching / Linda Troost and Sayre Greenfield -- Out of the drawing room, onto the lawn / Rachel M. Brownstein -- Balancing the courtship hero: masculine emotional display in film adaptations of Austen's novels / Cheryl L. Nixon -- Misrepresenting Jane Austen's ladies: revising texts (and history) to sell films / Rebecca Dickson -- Austen, class, and the American market / Carol M. Dole -- Jane Austen, film, and the pitfalls of postmodern nostalgia / Amanda Collins -- "A correct taste in landscape:" Pemberley as fetish and commodity / H. Elisabeth Ellington --Mr. Darcy's body: privileging the female gaze / Lisa Hopkins -- Emma becomes clueless / Suzanne Ferriss -- "As if!": translating Austen's ironic narrator to film / Nora Nachumi -- Emma Thompson's Sense and sensibility as gateway to Austen's novel / M. Casey Diana -- "Piracy is our only option": postfeminist intervention in Sense and sensibility / Kristin Flieger Samuelian -- Feminist implications of the silver screen Austen / Devoney Looser -- Mass marketing Jane Austen: men, women, and courtship in two film adaptations / Deborah Kaplan.
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