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03530aam a2200481 i 4500 001 4B570F1A2E0111EFA856D47D28ECA4DB 003 SILO 005 20240619010048 008 221129t20222022enka b 001 0 eng d 010 $a 2021389255 020 $a 1350284394 020 $a 9781350284395 020 $a 1350154083 020 $a 9781350154087 035 $a (OCoLC)1258657058 040 $a YDX $b eng $e rda $c DLC $d BDX $d UKMGB $d OCLCF $d SRU $d YDX $d OCLCO $d INU $d SILO 042 $a lccopycat 043 $a a-ii--- 050 00 $a PN2884 $b .S46 2022 082 04 $a 792.095409/04 $2 23/eng/20220329 100 1 $a Sengupta, Ashis, $d 1962- $e author. 245 10 $a Postdramatic theatre and India : $b theatre-making since the 1990s / $c Ashis Sengupta ; series editors Mark Taylor-Batty and Enoch Brater. 264 1 $a London ; $b Methuen Drama, $c 2022. 300 $a x, 202 pages : $b illustrations (black and white) ; $c 23 cm. 490 1 $a Methuen Drama engage 520 $a "Postdramatic Theatre and India participates in the ongoing debate on Hans-Thies Lehmann's theory of the postdramatic by placing contemporary Indian theatre within the conversation. It demonstrates how urban productions in India since the 1990s, which grew out of a complex of changing global and regional circumstances, have used theatre-making protocols to enter into dialogue with the postdramatic, reworking the process by enriching it with domestic performance cultures. Rich in formal diversity, theatre in India today includes devised shows, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so much more. The book balances theory, contextualization and praxis, developing an entirely new area of scholarship in Indian theatre. Interspersed with this are Indian theatre-makers' reflections on their own theory and practices vis-aÌ-vis those in the rest of the world."-- $c Page 4 of cover. 504 $a Includes bibliographical references (pages 183-196) and index. 505 00 $t Postdrama and theatre-making in India. $t Hans-Thies Lehmann and since: debates in postdramatic theatre and performance -- $t Theorizing and contextualizing India's postdramatic -- $t The non-dramatic turn in Indian theatre: early adaptations and devised plays -- $t India's postdramatic I: "Telling stories across forms," theatre and the new political, theatre of scenography -- $t India's postdramatic II: monologies and theatre solos -- $t India's postdramatic III: theatre-as-event, reality theatre, theatre installations -- $t Activism in India's postdramatic theatre -- $t Conclusion. $t Postdrama and theatre-making in India. 648 7 $a 1900-2099 $2 fast 650 0 $a Theater $z India $x History $y 20th century. 650 0 $a Theater $z India $x History $y 21st century. 650 0 $a Indic drama $y 20th century $x History and criticism. 650 0 $a Indic drama $y 21st century $x History and criticism. 650 7 $a Indic drama $2 fast $0 (OCoLC)fst00970128 650 7 $a Theater $2 fast $0 (OCoLC)fst01149217 651 7 $a India $2 fast $0 (OCoLC)fst01210276 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History $2 fast $0 (OCoLC)fst01411628 776 08 $i Ebook version: $a Sengupta, Ashis, 1962- $t Postdramatic theatre and India. $d London ; New York : Methuen Drama, 2022 $w (OCoLC)1293769100 $z 9781350154094 830 0 $a Methuen drama engage 941 $a 1 952 $l OVUX522 $d 20240619010704.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4B570F1A2E0111EFA856D47D28ECA4DBInitiate Another SILO Locator Search