Includes bibliographical references (p. [423]-433) and index.
Contents:
Fitting the part / Ingrid Monson -- With Lovie and Lil: rediscovering two Chicago pianists of the 1920s / Jeffrey Taylor -- Gender, jazz, and the popular front / Monica Hairston -- "The battle of the saxes": gender, dance bands, and British nationalism in the Second World War / Christina Baade -- Identity for sale: Glenn Miller, Wynton Marsalis, and cultural replay in music / Tracy McMullen -- From the point of view of the pavement: a geopolitics of Black dance / Jayna Brown -- Perverse hysterics: the noisy cri of Les Diaboliques / Julie Dawn Smith -- "Born out of jazz ... yet embracing all music": race, gender, and technology in George Russell's Lydian chromatic concept / Eric Porter -- "But this music is mine already!": "white woman" as jazz collector in the film New Orleans (1947) / Sherrie Tucker -- Fitting the part / Ingrid Monson -- gendered jazz aesthetics of That man of mine: the international sweethearts of rhythm and independent Black sound film / Kristin McGee. Exclusion, openness, and Utopia in Black male performance at the world stage jazz jam sessions / João H. Costa Vargas -- "It takes two people to confirm the truth": the jazz fiction of Sherley Ann Williams and Toni Cade Bambara / Farah Jasmine Griffin -- "Blow, man, blow!": representing gender, white primitives, and jazz melodrama through A young man with a horn / Nichole T. Rustin -- The gendered jazz aesthetics of That man of mine: the international sweethearts of rhythm and independent Black sound film / Kristin McGee.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.