The Locator -- [(subject = "Fatherhood")]

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03776aam a2200349 i 4500
001 9496538A0F2511E9BB56EF4997128E48
003 SILO
005 20190103010119
008 171113s2018    gaua         s000 0deng c
010    $a 2017042883
020    $a 082035287X
020    $a 9780820352879
035    $a (OCoLC)1005850793
040    $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d OCLCO $d OCLCQ $d OCLCF $d BDX $d SILO
042    $a pcc
050 00 $a HQ756 P384 2018
100 1  $a Parsons, Dustin, $e author.
240 10 $a Essays. $k Selections
245 10 $a Exploded view : $b essays on fatherhood, with diagrams / $c Dustin Parsons.
264  1 $a Athens : $b The University of Georgia Press, $c [2018]
300    $a 204 pages ; $c 17 cm.
490 1  $a Crux: the Georgia series in literary nonfiction
520    $a "Exploded View: A Memoir with Diagrams is exactly that. Using public domain images altered to hold the text, these "graphic" essays play with the conventions of telling a life story, and with how illustration and text work together in print. Like a graphic novel, the story is in not only the text, but also in how that text interacts with the images that accompany it. Diagrams were an important part of Parsons's childhood. His father was an oilfield mechanic, and in his spare time he is also a woodworker, an automotive mechanic, a welder, and an artist. His shop has countless manuals with "exploded view" parts directories that the author would flip through constantly. Whether it was a transmission he was putting back together, a diesel engine on location, or the woodworking instructions for a baby cradle, he had a visual guide to help him along. The individual essays in this memoir attempt to do the same thing. This memoir distinguishes itself from others in its "graphic" element--the appropriated diagrams, instructions, and "exploded view" inventory images--that Parsons has used. They help guide the reader's understanding of the piece, giving them a visual anchor for the story and add a technical aspect to the lyric essays that they hold. This mixture of the machine-like and the lyrical, I hope, helps the reader understand the author's world more fully--a world where art comes in the form of a welding torch, where creativity involves finding new ways to use old machines, where it isn't so easy to delineate between right-brain and left-brain thinking"-- $c Provided by publisher.
505 0  $a The 412 into Tulsa -- Pumpjack -- Harvest -- Transmission -- Dispatches from the fifty-first state -- Solar array -- Silhouettes -- The Fujita scale -- Prairie panhandle -- The festive revolver -- Orientation -- The flood plain -- Book of ghosts -- Mousetrap -- Fruit fly extermination -- Loose ends -- Spoor -- Mulberries -- From stories I've been told: Grandfather -- The owl in twenty-six folds -- Jackfruit -- The traffic in Kottayam -- Take an island, give an island back -- Missing person -- From stories I've been told: Student -- From the moon illusion notebooks -- Drop off -- The graduates of Fly-Fishing School, Sarasota, Florida, class of July 13, 2013 -- Exploded view -- Nesting box for the Eastern bluebird: a guide -- From the homeowner's guide to deer prevention -- Wind turbine -- X-ray machine -- Come celebrate the radial arm saw -- Solomon Grundy says good night -- The arrow of time -- Geode -- From the suitor's almanac -- The gun and the bird -- From a rooftop -- Sandhill cranes -- How to make a cardinal in five easy steps -- Duck call.
600 10 $a Parsons, Dustin.
650  0 $a Fatherhood.
650  0 $a Fathers and sons.
830  0 $a Crux (Athens, Ga.)
941    $a 1
952    $l USUX851 $d 20220706020607.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9496538A0F2511E9BB56EF4997128E48
994    $a C0 $b IWA

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