Introduction : Reich in context / Sumath Gopinath and Pwyll ap Siôn. I. "We are not trying to make a political piece" : The reconciliatory aesthetic of Steve Reich and Beryl Korot's The cave / "Departing to other spheres" : Psychedelic science fiction, perspectival embodiment, and the hermeneutics of Steve Reich's Four organs / Ryan Ebright. "Moving forward, looking back" : Resulting patterns, extended melodies, Eight lines, and the influence of the West on Steve Reich / Pwyll ap Siôn -- Different tracks : Narrative, sequence, harmonic (dis)continuity, and structural organization in Steve Reich's Different trains and The cave / Maarten Beirens -- "We are not trying to make a political piece" : The reconciliatory aesthetic of Steve Reich and Beryl Korot's The cave / Ryan Ebright. II. From World War II to the "War on Terror" : An examination of Steve Reich's "Docu-music" approach in WTC 9/11 / Repetition, speech, and authority in Steve Reich's "Jewish" music / Celia Casey. Steve Reich's dramatic sound collage for the Harlem Six : Toward a prehistory of Come out / John Pymm -- From World War II to the "War on Terror" : An examination of Steve Reich's "Docu-music" approach in WTC 9/11 / Celia Casey. III. Steve Reich's Counterpoints and computers : Rethinking the 1980s / "Save as...»" : Hybrid resources in the Steve Reich Collection / Twila Bakker. Sketching a new tonality : A preliminary assessment of Steve Reich's sketches for Music for 18 musicians in telling the story of this work's approach to tonality / Keith Potter -- Improvisation, Two variations on a watermelon, and a new timeline for Piano phase / David Chapman -- Steve Reich's Counterpoints and computers : Rethinking the 1980s / Twila Bakker. IV. "Machine fantasies into human events" : Reich and technology in the 1970s / Afro-electric counterpoint / Kerry O'Brien. That's all it does : Steve Reich and Balinese gamelan / Michael Tenzer -- "Machine fantasies into human events" : Reich and technology in the 1970s / Kerry O'Brien.
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