Introduction: Trauma's ghost -- "A new world song": creating a legacy worth preserving in Gayl Jones's Corregidora -- "She's all pain, my grandmother": the body in pain in narratives of African American collective postmemory -- "She will remember everything": re-membering the ancestral past in Cristina Garcia's Dreaming in Cuban -- "The voiceless gave me voices to speak out": Nora Okja Keller's Comfort woman and the construction of Korean American feminist identity -- More than hunter or prey: duality and traumatic memory in Edwidge Danticat's The dew breaker -- Conclusion.
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