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Author:
Wege des Barock. English.
Title:
Baroque pathways : the National Galleries Barberini Corsini in Rome : a publication series / by the Museum Barberini ; edited by Ortrud Westheider and Michael Philipp ; exhibition: Maurizia Cicconi, Michele Di Monte, Ines Richter-Musso, Ortrud Westheider.
Publisher:
Prestel Art,
Copyright Date:
2019
Description:
263 pages : color illustrations, color portraits, facsimiles (some color), ; 31 cm
Subject:
Galleria nazionale d'arte antica (Italy)--Exhibitions.
Painting, Baroque--Exhibitions.
Painting, European--17th century--Exhibitions.
Art, Baroque.
Art, European.
Buildings.
Palaces.
Germany--Potsdam.
1600-1699
Essays.
Exhibition catalogs.
Illustrated works.
Exhibition catalogs.
Essays.
Illustrated works.
Other Authors:
Westheider, Ortrud, editor.
Philipp, Michael, 1962- editor.
Schu˜tze, Sebastian, author.
Cicconi, Maurizia, author.
Di Monte, Michele, author.
Richter-Musso, Ines, author.
Windt, Franziska, author.
Ro˜ssler, Johannes, author.
Contini, Roberto, author.
Museum Barberini (Potsdam, Germany), host institution. organizer, host institution.
Galleria nazionale d'arte antica (Italy), organizer.
Notes:
Includes bibliographical references. Translation of: Wege des Barock. Translated from the German. Catalog of an exhibition "Baroque Pathways: The National Galleries Barberini Corsini in Rome", held at Museum Barberini, Potsdam, Germany, July 13-October 6, 2019. "An exhibition of the Gallerie Nazionali di Arte Antica, Rome, in collaboration with the Museum Barberini, Potsdam ... with loans from the Gallerie Nazionali di Arte Antica, Rome, and additional loans from the Stiftung Preu©ische Schlo˜sser und Ga˜rten Berlin-Brandenburg Skulpturensammlung, Staatliche Museen zu Berlin, Property of the Kaiser Friedrich Museumsverein"--Title page verso. Foreword by Flaminia Gennari Santori, Gallerie Nazionali di Arte Antica, Rome, Director, and Ortrud Westheider, Museum Barberini, Potsdam, Director, translated from the German by Astrid C. Koke.
Contents:
Selected bibliography / compiled by Valerija Kuzema. Spelndor and Power: The Palazzo Barberini in Rome / Maurizia Cicconi -- Iconographies of Power: The Barberini as Collectors / Michele Di Monte -- Rome as a "School of Seeing": Germans Travel to the Eternal City / Ines Richter-Musso -- Rome as Inspiration: Frederick the Great and His Italy in Potsdam / Franziska Windt -- Orchestrated Splendor: The Barberini Family's Claim to Power / Johannes Ro˜©ler -- Court Artists in the Baroque Era: The Barberini Family as Patrons / Johannes Ro˜©ler -- Violence and Salvation: Caravaggio and His Circle / Roberto Contini -- Dramas of the Demimonde: The Caravaggisti in Naples / Roberto Contini -- Light and Shadow: The Caravaggisti in Northern Europe / Roberto Contini -- Allegories of the Arts: German Collecting Preferences / Ines Richter-Musso -- Gallery of Foolishness: Italian Baroque Paintings in the New Palace in Potsdam / Franziska Windt -- A Tour of Palazzo Barberini in 1795: Goethe's Art Consultant Johann Heinrich Meyer Discovers Caravaggio and Pietro da Cortona / Johannes Ro˜©ler -- Selected bibliography / compiled by Valerija Kuzema.
Summary:
"Maffeo Barberini was elected Pope Urban VIII in 1623. He turned Rome into the baroque capital that we know today. Saint Peter's Cathedral was completed and consecrated during his pontificate. Streets and squares were created that still define the city's image. The erudite Pope Urban VIII had Caravaggio paint his portrait as a young man and sponsored him, as well as many artists who were influenced by him. The Palazzo Barberini in Rome is home to one of the most important collections of Roman baroque painting. The catalogue to the exhibition 'Baroque Pathways' shows a representative selection of these paintings. It traces the story of the creation of Roman baroque painting as inspired by Caravaggio and follows its expansion throughout Europe, to the north of the Alps just as in Naples. It covers the entire spectrum from the Barberini as patrons of the arts to the Prussian kings' admiration of all things Italian. The Barberini Museum is named after the Barberini Palace, which Frederick the Great had built in Potsdam. It was destroyed in World War II but rebuilt between 2013 and 2016 by the Hasso Plattner Foundation, conceived as a modern museum building. The Prussian King desired an Italian Piazza in Potsdam and so based the building on a copperplate engraving of the Palazzo Barberini in Rome by Piranesi. With this reference to the 'pope of the arts,' Frederick demonstrated his desire to be regarded as a great collector and connoisseur of art too." --publisher's description, lower cover.
In the 18th century Frederick II of Prussia modeled the Palais Barberini in Potsdam, Germany, after the Barberini Palace in Rome. In January 2017 the newly founded Museum Barberini moved into the recently reconstructed Palais Barberini in Potsdam. This book accompanies an exhibition in Potsdam of splendid 17th century works from the National Galleries Barberini Corsini in Rome. It provides not only a fitting background to Museum Barberini's fascinating architectural history but also highlights the important role of the Barberini family and Pope Urban VIII as patrons and art collectors. Exhibition: Barberini Museum, Potsdam, Germany ( 13.07. - 06.10.2019).
Series:
Museum Barberini publication series
Barberini studies
ISBN:
9783791358093
379135809X
OCLC:
(OCoLC)1047550754
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.