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03758aam a2200361Ii 4500 001 8BE511B0840911E89478B85797128E48 003 SILO 005 20180710010618 008 170703s2017 nyua c 000 0 eng d 020 $a 9781944379148 020 $a 1944379142 035 $a (OCoLC)992713455 040 $a MZA $b eng $e rda $c MZA $d FNE $d BDX $d YDX $d ERASA $d SILO 041 0 $a kor $a kor 050 4 $a N7369.L44 $b A4 2017 066 $c $1 082 04 $a 700.411 100 1 $6 880-01 $a Yi, Sung-t'aek, $d 1932- 264 1 $a [New York, NY] : $b Levy Gorvy, $c 2017. 880 1 $6 100-01/$1 $a þ£Ì, $d 1932- 245 10 $a Seung-Taek Lee. 300 $a 111 pages : $b illustrations ; $c 31 cm 504 $a Includes bibliographical references. 500 $a Catalog of an exhibition held at Levy Gorvy Gallery, New York, march 15-Aprill 22, 2017. 500 $a "Published on the occasion of SEUNG-TAEK LEE, March 15 - April 22, 2017, in collaboration with Gallery Hyundai, Seoul, Korea" -- Colophon. 500 $a "At once emphatically abstract and culturally specific, the work of Seung-taek Lee (born 1932) draws on the subtle beauty of Korean aesthetic traditions and folk art, also reflecting contemporaneous developments in earth art, Mono-ha and postminimalism—while maintaining resolute independence from its peer groups. Lee’s oeuvre spans painting, drawing, sculpture, installation and performance, often within the same piece. Notions of negation—which he alternately refers to as Ìdematerialization,Ì Ìanti-concept,Ì and Ìnon-sculptureÌ—structure his approach, by which he transforms ordinary objects, imbuing them with multiple meanings and affects. Embracing invisible forces and unorthodox materials such as tree branches, wire, stones, human hair, fabric and rope, his art elevates the mundane to the level of myth. Published in conjunction with Levy Gorvy’s exhibition Seung-taek Lee, this illustrated publication features an interview of the artist by Hans-Ulrich Obrist, an essay by curator and scholar Kyung An, and a specially commissioned poem by Monica de la Torre. This is the first English-language overview on Lee’s work." -- From publisher's website, accessed 7/3/2017. 520 8 $a At once emphatically abstract and culturally specific, the work of Seung-taek Lee (born 1932) draws on the subtle beauty of Korean aesthetic traditions and folk art, also reflecting contemporaneous developments in earth art, Mono-ha and postminimalism?while maintaining resolute independence from its peer groups. Lee?s oeuvre spans painting, drawing, sculpture, installation and performance, often within the same piece. Notions of negation?which he alternately refers to as 'dematerialization,' 'anti-concept,' and 'non-sculpture'?structure his approach, by which he transforms ordinary objects, imbuing them with multiple meanings and affects. Embracing invisible forces and unorthodox materials such as tree branches, wire, stones, human hair, fabric and rope, his art elevates the mundane to the level of myth. Published in conjunction with Levy Gorvy?s exhibition Seung-taek Lee, this illustrated publication features an interview of the artist by Hans-Ulrich Obrist, an essay by curator and scholar Kyung An, and a specially commissioned poem by Monica de la Torre. This is the first English-language overview on Lee?s work.00Exhibition: Levy Gorvy Gallery, New York, United States (15.03. - 22.04.2017). 600 10 $6 880-02 $a Yi, Sung-t'aek, $d 1932- $v Exhibitions. 880 14 $6 600-02/$1 $a þ£Ì, $d 1932- $v Exhibitions. 710 2 $a Levy Gorvy Gallery. 941 $a 1 952 $l OVUX522 $d 20191217020911.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=8BE511B0840911E89478B85797128E48Initiate Another SILO Locator Search