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03302aam a2200397Ii 4500 001 FD30795E5F0711ECA70E6FDD2BECA4DB 003 SILO 005 20211217010126 008 200617t20202020stka b 001 0 eng d 020 $a 1474440517 020 $a 9781474440516 020 $a 9781474434324 020 $a 1474434320 035 $a (OCoLC)1158476829 040 $a YDX $b eng $e rda $c YDX $d BDX $d UKMGB $d OCLCO $d OCLCF $d YDXIT $d OCLCO $d PAU $d GUA $d OCL $d NUI $d SILO 043 $a u-at--- 050 4 $a PN1998.3.A756 $b E7554 2020 082 04 $a 791.430233092 $2 23 100 1 $a Erhart, Julia, $e author. 245 10 $a Gillian Armstrong : $b popular, sensual and ethical cinema / $c Julia Erhart. 264 1 $a Edinburgh : $b Edinburgh University Press, $c [2020] 300 $a x, 189 pages : $b illustrations ; $c 22 cm. 490 1 $a Visionaries 504 $a Includes bibliographical references and index. 505 00 $g 5. $t Conclusion. $t At the Australian Film and Television School -- $t Satdee Night (1973) -- $t Gretel (1973) -- $t After AFTS -- $t Starting points -- $t Outlining of chapters -- $g 1. $t An authorial cinema -- $t A multidimensional career -- $t Perceptions of success: Armstrong's point of view -- $t Casting and crew -- $t Images of Armstrong -- $t Armstrong, feminism, and on being a `woman director' -- $t Present-day activisms: Gender Matters and Make It Australian -- $t Conclusion -- $g 2. $t A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- $t Mrs. Soffel: confinement and the power of silence -- $t Place and escape -- $t From Fires Within to Little Women -- $t Little Women -- $t Home: locus of resistance -- $t Armstrong in Europe: popular films after the year 2000 -- $t Conclusion -- $g 3. $t An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- $t Genre, globally -- $t Period film and the Australian industry -- $t My Brilliant Career -- $t Oscar and Lucinda -- $t The presence of the present -- $t The Australian musical: Starstruck -- $t Conclusion -- $g 4. $t A sensual cinema: The Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He's Undressed -- $t Designing Armstrong -- $t The Last Days of Chez Nous (1992) -- $t Sound and taste -- $t House as character -- $t Unfolding Florence: The Many Lives of Florence Broadhurst (2006) -- $t Women He's Undressed (2015) -- $t Conclusion -- $g 5. $t An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- $t Towards a feminist cinematic ethics: beginning with Mulvey -- $t High Tide (1987) -- $t Opportunities for empathy -- $t Armstrong's documentary ethics -- $t Participant well-being -- $t Axiographics -- $t Conclusion. 600 10 $a Armstrong, Gillian, $d 1950- $x Criticism and interpretation. 600 17 $a Armstrong, Gillian, $d 1950- $2 fast $0 (OCoLC)fst00204195 650 0 $a Motion picture producers and directors $z Australia $x Biography. 650 7 $a Motion picture producers and directors. $2 fast $0 (OCoLC)fst01027225 651 7 $a Australia. $2 fast $0 (OCoLC)fst01204543 655 7 $a Biographies. $2 fast $0 (OCoLC)fst01919896 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 830 0 $a Visionaries (Edinburgh University Press) 941 $a 1 952 $l OVUX522 $d 20231117014512.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=FD30795E5F0711ECA70E6FDD2BECA4DBInitiate Another SILO Locator Search