465 records matched your query       

03734aam a2200421Ii 4500
001 96251B24E96D11E8978F920F97128E48
003 SILO
005 20181116010210
008 180406t20172017gw ach   b    100 0 ger d
020    $a 3864422302
020    $a 9783864422300
035    $a (OCoLC)1030910561
040    $a OHX $b eng $e rda $c OHX $d JPG $d YDX $d OCLCF $d ZYU $d NUI $d SILO
041 0  $a eng $a eng
050  4 $a N6853.D8 $b D83 2017
072  7 $a N $2 lcco
245 00 $a Duchamp als Kurator = $b Duchamp as curator / $c Herausgeber, Renate Wiehager mit Katharina Neuburger.
246 31 $a Duchamp as curator
264  1 $a Köln : $b Snoeck, $c [2017]
300    $a 413 pages : $b illustrations (chiefly color), facsimiles, portraits ; $c 23 cm
546    $a Texts in German and English.
500    $a Proceedings of a symposium held at Daimler Contemporary Berlin, April 25-26, 2017.
500    $a Contributions by Akiko Bernhöft, Eva Fabbris, Elena Filipovic, Gerhard Graulich and Kornelia Röder, Susanne M.I. Kaufmann, Eva Kraus, Katharina Neuburger, Gesine Tosin, Renate Wiehager, Sandro Zanetti.
504    $a Includes bibliographical references.
520 8  $a "Marcel Duchamp made exhibition practice an important part of his work. Curatorial gestures and concepts that determined the staging of his works and allowed him to move away from canonical definitions of the artist; publications and photographic documentations and of his New York studios; themes, contributions and layout drafts for art magazines; his activity as a consultant, juror and staging curator for exhibitions in the contexts of American Modernism, Dada and Surrealism; the notable influence on important private collections of his time--every conceivable aspect of curating, exhibiting and collecting have gained a qualitatively new artistic dimension in Duchamp's work. While deliberately distancing himself from given structures of artistic work, he approached a concept of curatorial practice as an aesthetic medium that is today well established. According to the pointed thesis of the symposium and the publication here, he was one of the first 'artist curators' and, thus, decisively influenced the reception of his own work as well as the art historical development of exhibition practice. Duchamp gave a new conceptual direction to the multiple possibilities for perception and open perspectives of interpretation of his oeuvre, via the staging, reproduction and multiplication of his own and others' works, which subsequently defined a turn in contemporary art. Principles of exhibition practice became decisive factors in the constitution of a work. This volume compiles the contributions of a symposium at Daimler Art Collection (25./26. April 2017), and is probably the first substantial publication on this subject. It brings together eight essays by renowned authors analyzing the status of Duchamp's varied curatorial gestures"--Publisher's website.
600 10 $a Duchamp, Marcel, $d 1887-1968 $x Criticism and interpretation $v Congresses.
600 17 $a Duchamp, Marcel, $d 1887-1968. $2 fast $0 (OCoLC)fst00054760
650  0 $a Artists as art museum curators $v Congresses.
650  7 $a Artists as art museum curators. $2 fast $0 (OCoLC)fst01746766
655  7 $a Conference papers and proceedings. $2 fast $0 (OCoLC)fst01423772
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
700 1  $a Wiehager, Renate, $d 1959- $e editor.
700 1  $a Neuburger, Katharina, $e editor.
710 2  $a Daimler Contemporary (Gallery), $e host institution.
710 2  $a Daimler Kunst Sammlung, $e organizer.
941    $a 1
952    $l OVUX522 $d 20191126013158.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=96251B24E96D11E8978F920F97128E48